I’m back this post to talk about some of the choices that went into the cover design of the Land Mysteries books. As is visible, they take a different direction in some ways from my 1920s books. There are also a number of details you might not have spotted that I’ve been wanting to highlight!
One note that this post contains spoilers for key moments in the books (since that’s relevant to what’s on the cover). I’m avoiding talking about details here, as much as feasible. But if you want to avoid all spoilers, go have fun reading and come back when you’ve read the relevant books!
It’s time for a teaser of coming attractions, following on in the late 1940s after the Land Mysteries series. The second section has some spoilers for Illusion of a Boar.
The Land Mysteries
For a good while – several years – I was convinced I wasn’t going to write anything after the first half of 1929. I wasn’t as interested in writing the 1930s (especially the heart of the global Great Depression), and I also wasn’t sure about getting deeper into writing the Second World War.
And then I wrote Eclipse. Kiya left a marginal comment about wanting to see Geoffrey Carillon and Alexander Landry team up to take on munitions dealers. Every single one of my early readers commented on that idea and also wanted to see it. I gave in to the inevitable. As you do.
It took some more thinking, though. I didn’t want to do just one book, hanging out there at that chronological range. It felt unbalanced. So that meant thinking about what else I could write that was interesting in the Second World War.
One of the things I realised early on is that as much as I wanted to write more romances, that it’s tricky to write romances actually during a war. (Not impossible, as the series proves, but it probably wouldn’t sustain a whole series sensibly). Getting people in the right place for long enough is tricky!
But I also wanted to explore the other kinds of relationships people have in their lives. Sometimes that’s family. (Sometimes that’s enemies to “it’s complicated” to family.) Other times it’s about mentorship. Sometimes it’s about professional commitments or goals that emerge and need doing. Sometimes it’s about chosen siblings and friendship.
As I did in 2021, we’re going to go at this by character (alphabetically by first name), since many relevant characters appear in multiple books. My goal with writing has always been to reflect a wide range of experiences of the world like me and many of my friends. And that includes people who don’t always get to be the ones on adventures or getting a happy ever after romance.
There are a number of other characters in my books you might reasonably read as neurodiverse. I’ve mentioned a few at the end of the post that Kiya and I have discussed back and forth, but some of this is in the eye of the beholder. Reader perception is important too!
Just want to explore some books? Here are all the titles that particularly feature a neurodiverse character.
One of the things I’ve thought about a lot is the interaction between architecture and magic in Albion.
Now, first, I am by no means a specialist in this sort of thing! But besides having lived in a range of places, I’ve done a little bit of college coursework that covered buildings. I’ve been generally been interested in how spaces adapt and change over time.
Welcome to the first in a series posts focusing on a specific character. We’re starting with Richard Edgarton, who’s appeared in a number of books over his life. He’s married to Alysoun Edgarton, and the father of Gabriel (Gabe) Edgarton and Charlotte Edgarton Wright, as well as grandfather to their children. He’s also been Lord of the land, a Captain in the Guard, and a magistrate for most of his life.
In that last chapter, Gabriel Edgarton has been asked a question. Upon A Summer’s Day is his answer – and more importantly and interestingly – exactly how he goes about answering it. With Gabe, it’s always the process, not just the answer.
Welcome to the Idea to Book post for Old As The Hills. There are quite a few unusual things about this book, and I’m excited to get to talk about them. First and perhaps most importantly, this is a book centred on two people in a longterm and loving marriage. It’s not a new romance. Second, it’s one of my books that writes closest to historical events. And third, it’s in conversation with a whole line of esoteric history. That means writing about that period in a way I haven’t done before.
Old As The Hills takes place in the first year of the Second World War, from November 1939 through August of 1940. It’s immediately followed by Upon A Summer’s Day, which picks up that evening and carries through December 1940.
It’s the time of year where a recap is called for. Check out the post for the books (and two extras) released in 2023, what I’ve written, and improvements to this website and my authorial wiki.
It’s late December, which means it’s also the time when various sites post their reading challenges. If you’re doing one in 2024, here’s a guide to which of my books might fit particular categories. (If you’re doing a challenge not listed here, and other people can join in, send me a link and I’ll add it!) You might also want to check out my post about summer reading challenges from the summer of 2023.
The short answer is: “Start anywhere you like with any book set before 1935.” (Though there are a couple where you might have more fun in a specific order.) Read on for a few more thoughts about that.
