Hello to my plans for 2025! (You can check out what came out in 2024) As you know if you’ve been reading me for a little, you know that I plan a fair bit out in advance at this point. There’s room for things to move around, but these are fairly stable points.
(This is due to a combination of how I schedule writing and needing to plan out the background research.)
I’ve also got some updates to the website, direct sales via Payhip, and so on in the works over my winter vacation time. (Keep an eye out here and on the newsletter for an update when those are done.)
Welcome to our Idea to Book post for The Magic of Four, which just came out at the beginning of May. (This means that from now I’ll add a new Idea to Book post a few weeks after the book comes out. But you won’t have a long string of them.)
The Magic of Four is also the last book in the Land Mysteries series, which explores three themes during the Second World War. Those are a range of different kinds of relationships in our lives. It’s also about the land magic, and how Albion responds to the Second World War. You can see all three of those here, in various ways.
The Magic of Four has everything you might hope for in a school story. There are snippets of classes, finding friends, dealing with student problems. And of course, because it’s Schola, it’s got magical sports (pavo and a dash of bohort), secret societies, and all the implications of a magical school.
As I’ve noted, I do have plans for three romances. Ursula Fortier (Leo’s older sister) will have hers in 1947, Edmund Carillon (Ros’s older brother) in 1948, and Claudio Warren (in his 40s, and close to both Leo and Avigail) in 1950. Those will let me tie up some loose threads on other ongoing questions about the land magic, living in post-war Albion, and the Council. Learn more about my plans.
As I did in 2021, we’re going to go at this by character (alphabetically by first name), since many relevant characters appear in multiple books. My goal with writing has always been to reflect a wide range of experiences of the world like me and many of my friends. And that includes people who don’t always get to be the ones on adventures or getting a happy ever after romance.
There are a number of other characters in my books you might reasonably read as neurodiverse. I’ve mentioned a few at the end of the post that Kiya and I have discussed back and forth, but some of this is in the eye of the beholder. Reader perception is important too!
Just want to explore some books? Here are all the titles that particularly feature a neurodiverse character.
Content notes:Click here to revealAutistic, War-related trauma, Mental health concerns, Diverse background, Class differences, Secrets, Background violence(Click here to hide)
One of the things I’ve thought about a lot is the interaction between architecture and magic in Albion.
Now, first, I am by no means a specialist in this sort of thing! But besides having lived in a range of places, I’ve done a little bit of college coursework that covered buildings. I’ve been generally been interested in how spaces adapt and change over time.
Welcome to the first in a series posts focusing on a specific character. We’re starting with Richard Edgarton, who’s appeared in a number of books over his life. He’s married to Alysoun Edgarton, and the father of Gabriel (Gabe) Edgarton and Charlotte Edgarton Wright, as well as grandfather to their children. He’s also been Lord of the land, a Captain in the Guard, and a magistrate for most of his life.
I’m excited to be part of FaRoFeb this year. That stands for Fantasy Romance February, and it’s a promotion with a number of moving pieces. There are tons of different events planned, including 250+ books available for $0.99 US on February 1st. (That’s tomorrow, when I’m posting this.) There are also author spotlights, a panel discussion, a giveaway of a book a day between February 1st and Valentines Day on February 14th, and more.
And if you follow FaRoFeb on social media (please do!), you’ll see me spotlighted on February 8th.
Me and my books
Three of my books will be on sale for $0.99 USD (and the equivalent elsewhere) through February 15th as part of FaRoFeb.
They are Sailor’s Jewel,Pastiche, and Eclipse. All three are set in Albion, the magical community of Great Britain that is the setting for all my books. They’re a mix of history, fantasy, romance, and a puzzle or mystery to solve. (In FaRoFeb terms, they fall into the gaslamp category.)
It’s late December, which means it’s also the time when various sites post their reading challenges. If you’re doing one in 2024, here’s a guide to which of my books might fit particular categories. (If you’re doing a challenge not listed here, and other people can join in, send me a link and I’ll add it!) You might also want to check out my post about summer reading challenges from the summer of 2023.
The short answer is: “Start anywhere you like with any book set before 1935.” (Though there are a couple where you might have more fun in a specific order.) Read on for a few more thoughts about that.
Reviews are a fantastic way for readers to help out authors they want to support. But a lot of readers are nervous about what to write, where to share them, and what they ought to know about the process.
Here’s a little demystification to help. I’m focusing here obviously on books, but the same basic process can help with music, podcasts, and all sorts of other content out there.
The short version: Leaving a brief (2-3 sentence) review of books you love wherever you get or talk about your books is a fabulous way to both help other readers and the author. They don’t need to be long or complicated to help.
What kind of review are we talking about?
When authors talk about reviews helping, what we mean is usually something simple.
We’re talking about a review of one to four sentences from a real human who read the book and wanted to share a couple of thoughts. You don’t need to be elaborate and you don’t need to include tons of details. Reviews like this help provide what gets called “social proof”, that real humans read the book and had a range of feelings about it.
Detailed reviews and literary criticism are fantastic too – but they’re a completely different thing. Many people aren’t up for writing that (and certainly not about all the books or music or whatever else it was they enjoy).