TagPastiche

Plans for 2025

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Hello to my plans for 2025! (You can check out what came out in 2024) As you know if you’ve been reading me for a little, you know that I plan a fair bit out in advance at this point. There’s room for things to move around, but these are fairly stable points.

(This is due to a combination of how I schedule writing and needing to plan out the background research.)

I’ve also got some updates to the website, direct sales via Payhip, and so on in the works over my winter vacation time. (Keep an eye out here and on the newsletter for an update when those are done.)

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Idea to Book: The Magic of Four

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Welcome to our Idea to Book post for The Magic of Four, which just came out at the beginning of May. (This means that from now I’ll add a new Idea to Book post a few weeks after the book comes out. But you won’t have a long string of them.)

The Magic of Four is also the last book in the Land Mysteries series, which explores three themes during the Second World War. Those are a range of different kinds of relationships in our lives. It’s also about the land magic, and how Albion responds to the Second World War. You can see all three of those here, in various ways.

The Magic of Four has everything you might hope for in a school story. There are snippets of classes, finding friends, dealing with student problems. And of course, because it’s Schola, it’s got magical sports (pavo and a dash of bohort), secret societies, and all the implications of a magical school. 

As I’ve noted, I do have plans for three romances. Ursula Fortier (Leo’s older sister) will have hers in 1947, Edmund Carillon (Ros’s older brother) in 1948, and Claudio Warren (in his 40s, and close to both Leo and Avigail) in 1950. Those will let me tie up some loose threads on other ongoing questions about the land magic, living in post-war Albion, and the Council. Learn more about my plans.

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Neurodiversity in my books

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It seems a good time for an update on neurodiverse characters in my books (the last one was back in 2021.) April is one of the months celebrating neurodiversity (Autism Acceptance Month), and there was a recent extensive rec post on /r/romancebooks on Reddit for romances with neurodiverse characters.

As I did in 2021, we’re going to go at this by character (alphabetically by first name), since many relevant characters appear in multiple books. My goal with writing has always been to reflect a wide range of experiences of the world like me and many of my friends. And that includes people who don’t always get to be the ones on adventures or getting a happy ever after romance.

There are a number of other characters in my books you might reasonably read as neurodiverse. I’ve mentioned a few at the end of the post that Kiya and I have discussed back and forth, but some of this is in the eye of the beholder. Reader perception is important too!

Just want to explore some books? Here are all the titles that particularly feature a neurodiverse character.

Showing books 1-16 of 16

Period: Edwardian

Romance: F/F, Late in life romance, Closed door, Lesbian

Content notes: Click here to reveal

Cover of Complementary. Two women in Edwardian dress in silhouette stand talking with each other. One is taller and calmer, the other is shorter, gesturing. They are on a green background, with an artist's palette in the bottom right.
Complementary

Period: 1920s

Romance: M/F

Content notes: Click here to reveal

The cover of Bound for Perdition has a man and woman silhouetted in dark brown on a green and brown background, with the woman holding a book while the man gestures. An open blank book and pen are inset in the top right corner.
Bound for Perdition

Period: 1920s

Romance: M/M/F, Bisexual, Polyamorous

Content notes: Click here to reveal

Cover of Winter's Charms, a seasonal novella collection. Three figures are silhouetted on a blue background with snowflakes, in front of a roaring fireplace decorated with a red and green garland. One man is sitting in a chair, gesturing, a woman stands wearing a translucent shawl, and another man leans his hand on the mantlepiece. Oranges and cinnamon sticks are inset in the top left.
Casting Nasturtiums

Period: 1920s

Romance: Not a romance

Content notes: Click here to reveal

Cover of Ancient Trust: A man with a monocle picked out in gold stands by a table stacked with books. An owl is inset in the top left.
Ancient Trust

Period: 1920s

Romance: M/F, First relationship, Demisexual, Bisexual

Content notes: Click here to reveal

Cover of The Fossil Door. A man and woman in 1920s dress stand silhouetted on a bright burgundy and glowing orange background. An illuminated book is inset in the top left corner.
The Fossil Door

Period: 1920s

Romance: M/F, First relationship, Late in life romance, Closed door, Demisexual

Content notes: Click here to reveal

Cover of Seven Sisters. A thin angular woman and man in 1920s dress silhouetted on a background of lavender and grey. Bright green curling vines are inset in the top right.
Seven Sisters

Period: 1920s

Romance: M/F, First relationship

Content notes: Click here to reveal

Cover of Perfect Accord: Two silhouetted figures in 1920s casual clothing. The man is handing the woman a perfume bottle, and she is testing it on the inside of her wrist. The right upper corner has a perfume bottle inset.
Perfect Accord

Period: 1920s

Romance: M/F

Content notes: Click here to reveal

Cover of Eclipse, with a man and woman wearing academic robes in silhouette on a twilight blue and sunset orange background. She is gesturing up toward the sky. A telescope is inset in the top left.
Eclipse

Period: 1920s

Romance: M/F, First relationship, Late in life romance, Demisexual

Content notes: Click here to reveal

Cover of On The Bias. A man and woman in 1920s clothing are silhouetted against a pale green, yellow, and purple background. A brightly coloured rooster is inset in the top right.
On The Bias

Period: Information not available

Romance: M/F, Established relationship, Closed door

Content notes: Click here to reveal

Cover of Winter's Charms, a seasonal novella collection. Three figures are silhouetted on a blue background with snowflakes, in front of a roaring fireplace decorated with a red and green garland. One man is sitting in a chair, gesturing, a woman stands wearing a transluscent shawl, and another man leans his hand on the mantlepiece. Oranges and cinnamon sticks are inset in the top left.
Chasing Legends

Period: 1920s

Romance: M/F, Late in life romance, Closed door

Content notes: Click here to reveal

Cover of Weaving Hope: A man and woman in 1920s informal clothing are silhouetted on a bright pink background shading to purple. She is holding out a length of cloth to him, showing him something, with phlox flowers inset in the upper right corner.
Weaving Hope

Period: Second World War

Romance: M/F, Established relationship

Content notes: Click here to reveal

The cover of Old As The Hills has a man with a cane and a woman silhouetted on a green ground with a map. She holds out her hand, he is putting something into it, forming a doorway between them. An astrological chart behind them shows the symbols for Venus, the Sun, Jupiter, and Saturn highlighted behind a splash of glowing stars.
Old As The Hills

Period: Second World War

Romance: M/F, M/M/F, Established relationship

Content notes: Click here to reveal

The cover of Upon A Summer's Day shows a man in a suit silhouetted over a map of northern Wales in a muted green. He is gesturing, holding his cane in one hand, a cap on his head. Behind him is an astrological chart, with Jupiter and Saturn highlighted in the sign of Taurus.
Upon A Summer's Day

Period: Second World War

Romance: M/F

Content notes: Click here to reveal

Cover of Illusion of a Boar: Four magical specialists are thrown together in the spring of 1944, working on a secret project in the run-up to D-Day. Solving the problem before them is one thing: sorting out their lives is an entirely different one. It’s full of chosen siblings having each other’s backs, forced proximity, and unexpected skills in play. A fantasy romance, this is also a great entry point to the series.
Illusion of a Boar

Period: Second World War

Romance: Not a romance

Content notes: Click here to reveal

The cover of Three Graces has three women in silhouette, two standing and one sitting, her hand resting on a cane. All three are wearing clothes from during the Second World War, against a deep brown cover with a map. An astrology chart to the back left has the Moon and Venus picked out in brighter gold.
Three Graces

Period: Post-war (late 1940s)

Romance: Not a romance

Content notes: Click here to reveal

Cover of The Magic of Four: Four students in silhouette on a blue background of a map off the west coast of Wales. Three stand around a table, the fourth is perched on the near corner, leaning forward and gesturing.
The Magic of Four

Showing books 1-16 of 16

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You can also find more of a number of these characters in various of the extras I’ve written and shared.

Upon A Summer's Day displayed on a tablet in a sunset scene looking out across water to fields beyond, all of it glowing golden and sparkling with magic. The cover of Upon A Summer's Day shows a man in a suit silhouetted over a map of northern Wales in a muted green. He is gesturing, holding his cane in one hand, a cap on his head. Behind him is an astrological chart, with Jupiter and Saturn highlighted in the sign of Taurus.
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Architecture and magic

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One of the things I’ve thought about a lot is the interaction between architecture and magic in Albion. 

Now, first, I am by no means a specialist in this sort of thing! But besides having lived in a range of places, I’ve done a little bit of college coursework that covered buildings. I’ve been generally been interested in how spaces adapt and change over time. 

The cover of Four Walls and a Heart in a frame, with a globe and cup of coffee. The cover is a deep red, with a man in a wheelchair and a man standing, both in silhouette, in front of a large blue and glass door.
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In Character : Richard Edgarton

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Welcome to the first in a series posts focusing on a specific character. We’re starting with Richard Edgarton, who’s appeared in a number of books over his life. He’s married to Alysoun Edgarton, and the father of Gabriel (Gabe) Edgarton and Charlotte Edgarton Wright, as well as grandfather to their children. He’s also been Lord of the land, a Captain in the Guard, and a magistrate for most of his life.

You can find the complete list of books Richard’s appeared in on his page on my authorial wiki, as well as the arc of books that deal with the Edgartons as a family

Copy of Pastiche on an open book on grass with yellow leaves. The cover has a silhouetted man and woman in Edwardian dress, in front of a golden stained glass window on a deep teal background.
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Three Books on Sale : FaRoFeb

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I’m excited to be part of FaRoFeb this year. That stands for Fantasy Romance February, and it’s a promotion with a number of moving pieces. There are tons of different events planned, including 250+ books available for $0.99 US on February 1st. (That’s tomorrow, when I’m posting this.) There are also author spotlights, a panel discussion, a giveaway of a book a day between February 1st and Valentines Day on February 14th, and more. 

Find out all the details at the FaRoFeb 2024 site including how to follow FaRoFeb on your social media of choice and how to sign up for the newsletter to get the book giveaways. 

And if you follow FaRoFeb on social media (please do!), you’ll see me spotlighted on February 8th.

Me and my books

Three of my books will be on sale for $0.99 USD (and the equivalent elsewhere) through February 15th as part of FaRoFeb.

They are Sailor’s Jewel, Pastiche, and Eclipse. All three are set in Albion, the magical community of Great Britain that is the setting for all my books. They’re a mix of history, fantasy, romance, and a puzzle or mystery to solve. (In FaRoFeb terms, they fall into the gaslamp category.) 

Read on to learn more about all three books!

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Up for a 2024 reading challenge?

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It’s late December, which means it’s also the time when various sites post their reading challenges. If you’re doing one in 2024, here’s a guide to which of my books might fit particular categories. (If you’re doing a challenge not listed here, and other people can join in, send me a link and I’ll add it!) You might also want to check out my post about summer reading challenges from the summer of 2023.

The two challenges I’m pulling from for this post are the Book Riot’s Read Harder 2024 challenge and the 2024 PopSugar Reading Challenge. They have some overlapping categories, so I’m going to note which challenge applies, and the books I’ve written that might apply.

Copy of Best Foot Forward standing upright with leather bound books stacked behind it. The cover has a deep red background with map markings in a dull purple. Two men in silhouette stand, looking up at a point in the top left. An astrology chart with different symbols picked out takes up the left side of the image, with glowing stars curving up to the title.
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Where to start

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One of the questions that I hear fairly often these days is “Which of your books should I start with?” I now have an entire page on this website to help with your questions about reading order.

The short answer is: “Start anywhere you like with any book set before 1935.” (Though there are a couple where you might have more fun in a specific order.) Read on for a few more thoughts about that.

Teal tray holding a copy of Pastiche, the golden yellow stained glass window standing out against the blue-green of the surroundings.
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Reviews and how they help

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Reviews are a fantastic way for readers to help out authors they want to support. But a lot of readers are nervous about what to write, where to share them, and what they ought to know about the process.

Here’s a little demystification to help. I’m focusing here obviously on books, but the same basic process can help with music, podcasts, and all sorts of other content out there. 

The short version: Leaving a brief (2-3 sentence) review of books you love wherever you get or talk about your books is a fabulous way to both help other readers and the author. They don’t need to be long or complicated to help.

The cover of Old As The Hills displayed on a tablet in front of a pine forest, dotted with firefly light. The cover of Old As The Hills has a man with a can and a woman silhouetted on a green ground with a map. She holds out her hand, he is putting something into it, forming a doorway between them. An astrological chart behind them shows the symbols for Venus, the Sun, Jupiter, and Saturn highlighted behind a splash of glowing stars.

What kind of review are we talking about? 

When authors talk about reviews helping, what we mean is usually something simple.

We’re talking about a review of one to four sentences from a real human who read the book and wanted to share a couple of thoughts. You don’t need to be elaborate and you don’t need to include tons of details. Reviews like this help provide what gets called “social proof”, that real humans read the book and had a range of feelings about it. 

Detailed reviews and literary criticism are fantastic too – but they’re a completely different thing. Many people aren’t up for writing that (and certainly not about all the books or music or whatever else it was they enjoy).

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