I’m back this post to talk about some of the choices that went into the cover design of the Land Mysteries books. As is visible, they take a different direction in some ways from my 1920s books. There are also a number of details you might not have spotted that I’ve been wanting to highlight!
One note that this post contains spoilers for key moments in the books (since that’s relevant to what’s on the cover). I’m avoiding talking about details here, as much as feasible. But if you want to avoid all spoilers, go have fun reading and come back when you’ve read the relevant books!
It’s time for a teaser of coming attractions, following on in the late 1940s after the Land Mysteries series. The second section has some spoilers for Illusion of a Boar.
The Land Mysteries
For a good while – several years – I was convinced I wasn’t going to write anything after the first half of 1929. I wasn’t as interested in writing the 1930s (especially the heart of the global Great Depression), and I also wasn’t sure about getting deeper into writing the Second World War.
And then I wrote Eclipse. Kiya left a marginal comment about wanting to see Geoffrey Carillon and Alexander Landry team up to take on munitions dealers. Every single one of my early readers commented on that idea and also wanted to see it. I gave in to the inevitable. As you do.
It took some more thinking, though. I didn’t want to do just one book, hanging out there at that chronological range. It felt unbalanced. So that meant thinking about what else I could write that was interesting in the Second World War.
One of the things I realised early on is that as much as I wanted to write more romances, that it’s tricky to write romances actually during a war. (Not impossible, as the series proves, but it probably wouldn’t sustain a whole series sensibly). Getting people in the right place for long enough is tricky!
But I also wanted to explore the other kinds of relationships people have in their lives. Sometimes that’s family. (Sometimes that’s enemies to “it’s complicated” to family.) Other times it’s about mentorship. Sometimes it’s about professional commitments or goals that emerge and need doing. Sometimes it’s about chosen siblings and friendship.
Welcome to our Idea to Book post for The Magic of Four, which just came out at the beginning of May. (This means that from now I’ll add a new Idea to Book post a few weeks after the book comes out. But you won’t have a long string of them.)
The Magic of Four is also the last book in the Land Mysteries series, which explores three themes during the Second World War. Those are a range of different kinds of relationships in our lives. It’s also about the land magic, and how Albion responds to the Second World War. You can see all three of those here, in various ways.
The Magic of Four has everything you might hope for in a school story. There are snippets of classes, finding friends, dealing with student problems. And of course, because it’s Schola, it’s got magical sports (pavo and a dash of bohort), secret societies, and all the implications of a magical school.
As I’ve noted, I do have plans for three romances. Ursula Fortier (Leo’s older sister) will have hers in 1947, Edmund Carillon (Ros’s older brother) in 1948, and Claudio Warren (in his 40s, and close to both Leo and Avigail) in 1950. Those will let me tie up some loose threads on other ongoing questions about the land magic, living in post-war Albion, and the Council. Learn more about my plans.
As I did in 2021, we’re going to go at this by character (alphabetically by first name), since many relevant characters appear in multiple books. My goal with writing has always been to reflect a wide range of experiences of the world like me and many of my friends. And that includes people who don’t always get to be the ones on adventures or getting a happy ever after romance.
There are a number of other characters in my books you might reasonably read as neurodiverse. I’ve mentioned a few at the end of the post that Kiya and I have discussed back and forth, but some of this is in the eye of the beholder. Reader perception is important too!
Just want to explore some books? Here are all the titles that particularly feature a neurodiverse character.
Welcome to the first in a series posts focusing on a specific character. We’re starting with Richard Edgarton, who’s appeared in a number of books over his life. He’s married to Alysoun Edgarton, and the father of Gabriel (Gabe) Edgarton and Charlotte Edgarton Wright, as well as grandfather to their children. He’s also been Lord of the land, a Captain in the Guard, and a magistrate for most of his life.
In that last chapter, Gabriel Edgarton has been asked a question. Upon A Summer’s Day is his answer – and more importantly and interestingly – exactly how he goes about answering it. With Gabe, it’s always the process, not just the answer.
Welcome to the Idea to Book post for Old As The Hills. There are quite a few unusual things about this book, and I’m excited to get to talk about them. First and perhaps most importantly, this is a book centred on two people in a longterm and loving marriage. It’s not a new romance. Second, it’s one of my books that writes closest to historical events. And third, it’s in conversation with a whole line of esoteric history. That means writing about that period in a way I haven’t done before.
Old As The Hills takes place in the first year of the Second World War, from November 1939 through August of 1940. It’s immediately followed by Upon A Summer’s Day, which picks up that evening and carries through December 1940.
It’s the time of year where a recap is called for. Check out the post for the books (and two extras) released in 2023, what I’ve written, and improvements to this website and my authorial wiki.
The short answer is: “Start anywhere you like with any book set before 1935.” (Though there are a couple where you might have more fun in a specific order.) Read on for a few more thoughts about that.
Recently, a friend commented on how much she loved the alt-text on my images, and I promised I’d do a post talking about how I think about that. I’m aiming this at people talking about things like book covers – whether you’re a reader, a librarian, or an author – though I’ll be linking to some more general resources as well, some of which talk about describing more complex images.
