I absolutely adore my covers. Augusta Scarlett does a fantastic job figuring out how to come up with something that fits the genre, the historical period, and the feel of the book. Welcome to the first of three upcoming posts about our cover design, focusing on the Mysterious Arts covers.
Later this summer, we’ll have one about the Land Mysteries series. And finally, we’ll have a post about the covers for the Mysterious Fields trilogy. We’re starting with Mysterious Arts because they’re the simplest to talk about in several ways.
I’ve put the cover images in at Large size to make it easier to look at the details. Depending on your reading habits for this blog, opening them in a new tab might be easier.
It was hard to choose who would be up second in this series of In Character posts focusing on particular individuals in my books. Thomas Benton is often in the background, but I love his steadiness, his loyalty, and his competence.
Benton is a point of view character in Ancient Trust (a prequel novella in 1922) and his own romance, On The Bias, in 1926. The best way to find all the books with Benton somewhere in the picture are the books about the Carillon family. (You can find that list at the end of this post, for convenience.)
As I did in 2021, we’re going to go at this by character (alphabetically by first name), since many relevant characters appear in multiple books. My goal with writing has always been to reflect a wide range of experiences of the world like me and many of my friends. And that includes people who don’t always get to be the ones on adventures or getting a happy ever after romance.
There are a number of other characters in my books you might reasonably read as neurodiverse. I’ve mentioned a few at the end of the post that Kiya and I have discussed back and forth, but some of this is in the eye of the beholder. Reader perception is important too!
Just want to explore some books? Here are all the titles that particularly feature a neurodiverse character.
I’m amused that this Idea to Book post, about a book in 1917, comes right after the one for Three Graces, the other end of that story. Welcome to the post about Bound for Perdition, a romance about book binding, the early steps in a fatal mystery, and the consequences of new technologies.
It’s the time of year where a recap is called for. Check out the post for the books (and two extras) released in 2023, what I’ve written, and improvements to this website and my authorial wiki.
Ancient Trust is the novella you can get by signing up for my newsletter.(More below on why I did that). You can unsubscribe after, if my newsletter isn’t your thing, I won’t take it personally. Just please, don’t mark me as spam!
It also is a story I wanted to tell since I had the opening scene in my head.
Ancient Trust takes place in 1922, when Geoffrey Carillon inherits the land magic from his brother. Carillon and his valet Benton are in Kenya, as part of a longer expedition between points in Africa, seeking specific materia (plants, minerals, and other items with magical potential) to bring back to Albion. He does it responsibly, but this period is toward the tail end of a massive exploration of natural resources that was not, shall we say, often managed well or sensitively.
The Carillons
I knew I wanted to write something that was toward the beginning of the larger arc of the Carillon family in this generation. There are in fact a number of of beads on this particular necklace, running from Bound for Perditionin 1917 through the upcoming Three Graces in 1945 (out in December 2023) that will finally bring out some answers to the question of what actually happened to Temple.
The Carillons are a longstanding family – Ytene, their landed estate, goes back to nearly the Norman Conquest in 1066. There’s a lot of complex history there. And of course, there are recent tragedies, beginning with the death of Geoffrey and Temple’s parents on the Sussex, which was torpedoed in the Channel in 1916. This is an actual historical sinking, and the history about it has a number of unclear aspects, including – regrettably – the total number of deaths.
In the course of the Great War, Temple is doing secret research with a number of other people. It becomes clear that some of that wasn’t good for him, on an extremely direct level – but Geoffrey has no idea what he was doing, nor is he in contact with anyone who seems likely to know.
Carillon and Benton
A second reason I wanted to write Ancient Trustis because I love Carillon and Benton together. (Not romantically or sexually, Benton would never. But in all the ways they’re absolutely chosen family for each other, yes.)
As I’ve mentioned elsewhere, Benton definitely falls somewhere on the autistic spectrum, but his life circumstances have given him clarity around what rules and expectations apply right now. He started out working as a hallboy and then a footman in a country house. When the Great War began, he served in the trenches, before being assigned as Carillon’s batman or soldier-servant when Carillon was assigned as an officer to their unit. When Carillon was pulled out for Intelligence work, he took Benton along – and discovered along the way that Benton was capable of learning quite a lot more magical technique and practical skills than he’d been taught so far. (You can see some of this in On The Bias, in 1925.)
By the point we see them in Ancient Trust, they’ve settled into a life of expeditions punctuated by a few months back in Albion. They’re always moving on into some new setting, but Benton is clear about what Carillon wants out of him, and which parts Carillon will handle. And Benton, of course, brings an absolute pragmatism and attention to detail to all his work.
I loved getting to write Ancient Trust seeing both of their takes on what was going on, and what information was and wasn’t available. Their mutual comfort with each other and trust in each other is an absolute delight to me.
Connections to others
The last part of this is what I knew I wanted to do with this piece. For authors, this kind of reader magnet is meant to be an introduction to your characters, world, and writing that hopefully entices people to try out more of your work. Obviously, this is going to work better (and honestly, also be more fun) if you can tie in more than a couple of people.
I’d been putting off writing this piece (despite having the opening scene in my head for quite a while, including Carillon’s comment:
“I fear, Benton, that we must accustom ourselves to a new mode of address.”
But as I kept nudging the outline, I realised that the timing of this allowed me to do some fascinating things with other characters. Ancient Trust overlaps with Outcrossing, my first book, which meant I could show Carillon’s meeting with Rufus (the hero of that book) from the other point of view.
I also knew that Carillon had been friends with Giles for quite some time, since before the Great War, and that one of the things he is quietly furious about is the sort of warfare that involves gas attacks, like the one that blinded Giles. What I didn’t entirely know – until I wrote Ancient Trust – was how the Edgartons fit into that.
When Captain Kate Lefton (newly married) and then Richard Edgarton showed up at the end of Outcrossing, I knew that these were people Carillon trusted, but also that that trust was relatively new and untested. I also knew he was very new to his title and had only recently returned to Ytene, so he’s not yet confident in his own connection to the estate and the land magic.
(Including, in this case, whether he could reliably pull off the soc-and-sac judicial magic, which requires the Lord of the land’s permission, and also someone who has the land magic connection and judicial magic knowledge to make it work. Richard Edgarton, as a Lord in his own right and also a magistrate, makes an excellent substitute. But of course, when I wrote Outcrossing, there was a lot I didn’t know about any of these characters yet.)
I loved having a chance to explore how Carillon comes into the Edgarton’s circle, why he trusts them as quickly as he does (largely because he trusts Giles), and he is absolutely clear they’re competent in their own areas of skill and knowledge.
One of my romance spaces was talking about romances that don’t presume a child is necessary for the happily-ever-after of the romance. If you’ve read my work, obviously I’ve got a mix in here. I thought it might be interesting to talk about the variations.
(I obviously think people can find happiness in a whole bunch of different configurations and life choices. My characters make a wide range of choices, both in the immediate aftermath of a book and further down the road.)
It’s time for summer reading challenges where I am. Whatever time of year it is for you, I thought it might be fun to do a round up of some reading challenges. Some of these come from libraries, and some come from other groups. I’m still waiting on my local library’s challenge (out on June 17th), but I’m thinking about how I’d like to nudge my reading a little bit.
(To be honest, a lot of it has been research reading, one way or another, and I would like to mix it up, and also just read more.)
Here are some different challenges to check out. You can also check your local library systems (a lot of libraries put something together for adults, as well as for kids and teens.) If there’s nothing up yet, check back later in June, my local public library isn’t launching theirs until the 17th.
In 1917, Lynet has done what seemed impossible. A skilled bookbinder, she’s worked to create magical journals that can readily communicate with each other.
When she returns from leave for the death of her father, she’s given a new challenge – make them faster and cheaper. She and Ellis, the papermaker on the project, struggle to figure out how to move forward. When Reggie is assigned to help them, Lynet isn’t sure what to do with him – or make of him. Recently invalided out of the front, he’s like all the Schola men downstairs who ignore or insult her. But he’s also willing to fetch the tea, take instruction from her, and share some good ideas.
Reggie isn’t sure how much help he can be, but he’s soon swept up by the project’s potential and fascinated by Lynet’s skills and knowledge. When problem after problem crops up for the project, he’s willing to do what it takes to protect the work and keep moving forward.
Lynet, a bookbinder
Reggie, figuring out who he is now
Magical research and development
Dealing with recent grief
A house party or two
Magical journals and their implications
And for those of you who’ve read other books of Albion, a look at Temple Carillon and his wife Delphina, in 1917.
Now that I’ve talked about what I got up to in 2022, it’s time to look forward into 2023. I’m incredibly excited about my plans for 2023. There’s quite a lot to come! Publication dates may shift a little, but I expect them to be fairly close to the following.
Coming out in 2023
This year, I’m alternating between a series of 1920s books (Mysterious Arts) and books dealing with the Second World War (the Land Mysteries series).
