Best Foot Forward is full of music. It’s not only full of music, but it gave me classical music back. There’s so much music that I’ve written a full explanation (complete with a playlist you can listen to). Learn more about the music in what I’ve been calling Best Ear Forward).
Note that it does contain spoilers for the book!
In a recent newsletter, I mentioned that working on Old As The Hills had let me test a research note model for more research-demanding fiction that’s working pretty well. (This is also in service to my contemplating a 1480s series set around the time of the Pact sometime down the road. I have a ton of background reading to do before I can even think about it, so no time soon.)
As I suspected, more than one reader was interested in how I set that up, so here’s a glimpse into my research notes. (Click through on the screenshots to see a full size version, but I’ve also described the contents in the text.)
I’m currently in the editing process for Best Foot Forward, and thought you might find a glimpse into the process interesting.
I do most of my writing on the desktop that lives in my bedroom. However, I do most of my editing on the laptop that lives in the living room, which has fewer distractions.
Here’s a shot of what that looks like. Read on for a description of both the image and the process.
Last Saturday, I went on an adventure with Kiya, my long-time friend and editor. We drove out to western Massachusetts (about a two hour drive from where I live) for a session with New England Falconry.
Why? Writing research, of course!
Lord Geoffrey Carillon is a great many things, but among them, he is a falconer. As mentioned in On The Bias, he used to fly a Eurasian eagle-owl, named Theodora (who also appears in that book). However, the sniper wound he got during the Great War (in his left shoulder joint) means that he can’t hold that much weight on his extended left hand for very long.
(Eurasian eagle-owls are about 8 pounds for females. Extremely sizeable birds.)
Since the early 1920s, he’s instead flown a merlin named Helena. Merlins are a vastly smaller bird – about 8 ounces or half a pound. (They also carry a number of different social implications.)
Then I wrote the draft of Best Foot Forward (out in November 2022) and – there is more falconry. It’s set in 1935, when Carillon is fully settled into his current life, but collaboration with Alexander Landry brings about a new set of challenges. Alexander also has a certain number of opinions about hawks and falcons, as it turns out, though largely on a more metaphorical level. Or at least less immediately physical. There’s also a scene set in the mews at Ytene.
And then there’s Ancient Trust, which is about Carillon inheriting the title in 1922 and returning to Albion and figuring out how to rearrange his life. Which of course includes a certain amount of falconry, though mostly off-screen.
All of that meant more research about falconry was in order as both those titles go into editing. And of course, the one thing that’s hard to get from books or video or other second hand sources is what the experience actually feels like. I especially wanted to get a sense of what it felt like to have a bird on the end of my arm.
Which is why we went out to western Massachusetts.
Read on for more, including plenty of great pictures!
(more…)Knitting for the war effort during the Great War involved all sorts of things. Some were simple – wristlets and mufflers (scarves), and socks. (I admit, I am intimidated by knitting socks.) They also included more complex items, like gloves designed to allow for easy shooting of a gun, or caps to be worn under helmets.
Elen, the heroine of my latest book, Carry On, does a lot of knitting. I wrote in my last post about wartime knitting in general, but I wanted to give it a try myself.
So I spent a bit of time in late November knitting up a set of wristlets. (About 7 hours, all told.) Read on if you’re curious about knitting your own historical pattern.
I ended up using a modernised pattern from Holly Shaltz, taken from a July 1917 issue of Modern Priscilla Magazine, using patterns from the American Red Cross. There are very similar patterns in British Red Cross guides too. Holly has patterns for a scarf there too.
British and American knitting needles are different sizes. Worse, needles during the Great War were also different from the sizes we used today. I was happy to use someone else’s guidance on an appropriate combination.
The yarn for these is in a colour suitable for wartime (not quite British khaki, but would not draw attention), Jagger Spun Heather in the Peat colourway. Basically any wool worsted-weight yarn should do for this.
My yarn comes from my local yarn shop, Mind’s Eye Yarns. Much thanks to the shop owner, Annie, who also consulted on some of the historical knitting here.
I have small hands, so instead of 20 stitches on a needle for a total of 60, I went for 16 each.
(Since the pattern runs in groups of 4 stitches, you probably want to add or remove stitches in groups of 4. If you want to remove fewer than 12 from the original pattern, you could remove 4 from just one side. This saves you having to remember whether you start each needle with knitting or purling.)
I used double pointed needles (three to hold the stitches, one working needle). I liked this pattern edit because it also gives an option for knitting flat and seaming the finished piece into a proper tube (leaving a hole for the thumb.)
Other than the multiple needles, it’s a very simple pattern – knit 2, purl 2. Repeat for as many rows as you need.
I did 40 rows total. 25 to the start of the thumb, 10 for the hole for the thumb, 5 more plus binding off to make the band across the palm above my thumb. They’re shorter than the original version, but I wasn’t entirely sure how much yarn I’d be using up.
For the thumb hole, I rotated so I could knit going the opposite direction, leaving the gap for the thumb – this worked great.
Let me know if you try your own Great War knitting project! I’d love to feature it if you’re willing to share.
A short video guide to getting started with historical knitting from Engineering Knits. (She’s also done some great Edwardian and 1920s pieces.)
British Red Cross knitting and sewing patterns (via the Internet Archive). Dated 1914. Includes everything from hospital clothing to knitting to dressmaking.
British Red Cross knitting patterns (PDF). Undated, but I think this is from around 1917. Includes patterns for sewing as well (pyjamas and other hospital attire.)
Historical Resource Shenanigans talks about a sock knitting project using a British Red Cross Pattern. (She’s also got a post about a Canadian knitting nurse.)
Some examples of American patterns (with modern samples) from the Smithsonian Museum of American History.
The Antique Pattern Library for a wide range of (mostly not War related) historical knitting patterns
Carry On, my latest book, takes place in March 1915, early in the Great War. Knitting for the war effort was still ramping up to some extent, but many people were hard at work knitting all manner of items to go to the front.
Elen, my heroine, is no exception. She knits when she’s waiting to be called into someone’s office. She knits when her patient is dozing. She knits when she’s not doing something else with her hands. Basically.
There was a huge range of war time knitting, but there were a few constants:
The items had to be practical
Mufflers (scarves), wristers or fingerless gloves, gloves, socks, and knit caps to go under helmets were the most common, but in the resources below you’ll see patterns for a few other things.
Colour mattered
Items going to the front had to be a suitable colour. In 1915, this was a bit more flexible, but dark colours or khaki were common. White or other light colours not only would show dirt (and other things) but they could make it easier to spot you in the dark.
Wool was great.
Wool has a lot of advantages as a fibre. It wicks moisture well, and it will still keep you warm even if it’s wet. It was also widely available in the British Isles
Some modern techniques didn’t exist quite yet.
If you’re a knitter, you might be wondering about circular needles (patented in 1918, so not quite available during most of the War.)
Likewise, the Kitchener stitch (now widely used in sock patterns) didn’t start being used until 1918 – lore has it that it was intended to reduce trench foot. You can read more about the history in a post from In The Rounds.
Knitting for soldiers, a blog from the Kingston Public Library in Ontario, with some fantastic photos and images.
And American knitting for the war effort from Atlas Obscura. Also with great photographs of people knitting. I can’t decide if my favourite is the motion picture office employees knitting during lunch or the grand jury knitting socks.
Curious about knitting just before the War? Here are some examples of patterns and finished garments from The Knitting Needle and the Damage Done.
A short video guide to getting started with historical knitting from Engineering Knits. (She’s also done some great Edwardian and 1920s pieces.)
Coming soon, my own attempt at a (simple) pattern from the Great War.
