CategoryLand Mysteries

In Character: Orion Sisley

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Welcome to our next character study piece, this time about Orion Sisley. 

Orion is the stroppiest character I’ve ever written. He has good cause – especially in Illusion of a Boar when he’s coming out a completely horrific six months or so. For those not familiar with the term, it’s slang. The term became more common in the 80s, but is dated to use starting in 1943. It means rebellious, with an edge of ‘just plain difficult’, sometimes for baffling reasons. (Here’s the Etymology Online entry.)

This post contains plot spoilers for Illusion of a Boar, Orion’s romance. (Stop at “The War” of you want to avoid those.) 

Cover of Illusion of a Boar: Two silhouetted men and women standing at a table, on a ground of deep gold with an astrological chart behind them. Shown on a leather satchel with a pair of gold rimmed glasses.
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Cover design : Land Mysteries

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I’m back this post to talk about some of the choices that went into the cover design of the Land Mysteries books. As is visible, they take a different direction in some ways from my 1920s books. There are also a number of details you might not have spotted that I’ve been wanting to highlight!

One note that this post contains spoilers for key moments in the books (since that’s relevant to what’s on the cover). I’m avoiding talking about details here, as much as feasible. But if you want to avoid all spoilers, go have fun reading and come back when you’ve read the relevant books!

The cover of Old As The Hills displayed on a tablet in a scene of a glowing golden summer sunset, looking out over a pond surrounded by tree trunks. The cover of Old As The Hills has a man with a can and a woman silhouetted on a green ground with a map. She holds out her hand, he is putting something into it, forming a doorway between them. An astrological chart behind them shows the symbols for Venus, the Sun, Jupiter, and Saturn highlighted behind a splash of glowing stars.
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What’s after The Land Mysteries

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It’s time for a teaser of coming attractions, following on in the late 1940s after the Land Mysteries series. The second section has some spoilers for Illusion of a Boar

Copy of Best Foot Forward lying on a wrinkled silk cloth, with a violin lying across it. The cover has a deep red background with map markings in a dull purple. Two men in silhouette stand, looking up at a point in the top left. An astrology chart with different symbols picked out takes up the left side of the image, with glowing stars curving up to the title.

The Land Mysteries

For a good while – several years – I was convinced I wasn’t going to write anything after the first half of 1929. I wasn’t as interested in writing the 1930s (especially the heart of the global Great Depression), and I also wasn’t sure about getting deeper into writing the Second World War.

And then I wrote Eclipse. Kiya left a marginal comment about wanting to see Geoffrey Carillon and Alexander Landry team up to take on munitions dealers. Every single one of my early readers commented on that idea and also wanted to see it. I gave in to the inevitable. As you do.

It took some more thinking, though. I didn’t want to do just one book, hanging out there at that chronological range. It felt unbalanced. So that meant thinking about what else I could write that was interesting in the Second World War. 

One of the things I realised early on is that as much as I wanted to write more romances, that it’s tricky to write romances actually during a war. (Not impossible, as the series proves, but it probably wouldn’t sustain a whole series sensibly). Getting people in the right place for long enough is tricky! 

But I also wanted to explore the other kinds of relationships people have in their lives. Sometimes that’s family. (Sometimes that’s enemies to “it’s complicated” to family.)  Other times it’s about mentorship. Sometimes it’s about professional commitments or goals that emerge and need doing. Sometimes it’s about chosen siblings and friendship. 

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Idea to Book: The Magic of Four

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Welcome to our Idea to Book post for The Magic of Four, which just came out at the beginning of May. (This means that from now I’ll add a new Idea to Book post a few weeks after the book comes out. But you won’t have a long string of them.)

The Magic of Four is also the last book in the Land Mysteries series, which explores three themes during the Second World War. Those are a range of different kinds of relationships in our lives. It’s also about the land magic, and how Albion responds to the Second World War. You can see all three of those here, in various ways.

The Magic of Four has everything you might hope for in a school story. There are snippets of classes, finding friends, dealing with student problems. And of course, because it’s Schola, it’s got magical sports (pavo and a dash of bohort), secret societies, and all the implications of a magical school. 

As I’ve noted, I do have plans for three romances. Ursula Fortier (Leo’s older sister) will have hers in 1947, Edmund Carillon (Ros’s older brother) in 1948, and Claudio Warren (in his 40s, and close to both Leo and Avigail) in 1950. Those will let me tie up some loose threads on other ongoing questions about the land magic, living in post-war Albion, and the Council. Learn more about my plans.

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In Character : Richard Edgarton

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Welcome to the first in a series posts focusing on a specific character. We’re starting with Richard Edgarton, who’s appeared in a number of books over his life. He’s married to Alysoun Edgarton, and the father of Gabriel (Gabe) Edgarton and Charlotte Edgarton Wright, as well as grandfather to their children. He’s also been Lord of the land, a Captain in the Guard, and a magistrate for most of his life.

You can find the complete list of books Richard’s appeared in on his page on my authorial wiki, as well as the arc of books that deal with the Edgartons as a family

Copy of Pastiche on an open book on grass with yellow leaves. The cover has a silhouetted man and woman in Edwardian dress, in front of a golden stained glass window on a deep teal background.
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Idea to Book: Upon A Summer’s Day

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Today’s Idea to Book post is about Upon A Summer’s Day, which forms a tight duology with Old As The Hills. As I mentioned in last week’s Idea to Book post about Old As The Hills, that book ends in the early afternoon of August 12th and Upon A Summer’s Day picks up early that evening.

In that last chapter, Gabriel Edgarton has been asked a question. Upon A Summer’s Day is his answer – and more importantly and interestingly – exactly how he goes about answering it. With Gabe, it’s always the process, not just the answer. 

Contains spoilers.

Upon A Summer's Day displayed on a tablet in a sunset scene looking out across water to fields beyond, all of it glowing golden and sparkling with magic. The cover of Upon A Summer's Day shows a man in a suit silhouetted over a map of northern Wales in a muted green. He is gesturing, holding his cane in one hand, a cap on his head. Behind him is an astrological chart, with Jupiter and Saturn highlighted in the sign of Taurus.
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Ideas To Book: Old As The Hills

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Welcome to the Idea to Book post for Old As The Hills. There are quite a few unusual things about this book, and I’m excited to get to talk about them. First and perhaps most importantly, this is a book centred on two people in a longterm and loving marriage. It’s not a new romance. Second, it’s one of my books that writes closest to historical events. And third, it’s in conversation with a whole line of esoteric history. That means writing about that period in a way I haven’t done before. 

Old As The Hills takes place in the first year of the Second World War, from November 1939 through August of 1940. It’s immediately followed by Upon A Summer’s Day, which picks up that evening and carries through December 1940.

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Idea to Book : Nocturnal Quarry

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Today’s Idea to Book is all about Alexander Landry. That’s because Nocturnal Quarry is a character-focused novella about Alexander Landry. While most of my books can be read in any order, this one comes best after at least Best Foot Forward

It also has some pieces in it I deeply loved getting to share. A bit of Boston’s magic, a couple of loose ends of other plots, and a trip to the Metropolitan Museum of Art, for starters!

A copy of Nocturnal Quarry lying on a wooden table with a cupe of coffee and some deep purple lilacs. The cover of Nocturnal Quarry has Alexander silhouetted seated in a chair, leaning forward, one leg crossed over the other against a purple background with a map of Manhattan. An astrological chart to the left has the symbols for the Sun, Mercury, and Mars in close conjunction in Leo and Virgo, glowing against the pale grey of the chart.
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