CategoryIdeas to books

Idea to Book: Ancient Trust

In Ideas to books, Novellas
September 28, 2023
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Ancient Trust is the novella you can get by signing up for my newsletter. (More below on why I did that). You can unsubscribe after, if my newsletter isn’t your thing, I won’t take it personally. Just please, don’t mark me as spam!

It also is a story I wanted to tell since I had the opening scene in my head.

The cover of Ancient Trust on a tablet, surrounded glasses, bottles of alcohol, and a man in a tailored suit. The cover shows a man with a monocle in silhouette, leaning on a table stacked with books.

Ancient Trust takes place in 1922, when Geoffrey Carillon inherits the land magic from his brother. Carillon and his valet Benton are in Kenya, as part of a longer expedition between points in Africa, seeking specific materia (plants, minerals, and other items with magical potential) to bring back to Albion. He does it responsibly, but this period is toward the tail end of a massive exploration of natural resources that was not, shall we say, often managed well or sensitively. 

The Carillons

I knew I wanted to write something that was toward the beginning of the larger arc of the Carillon family in this generation. There are in fact a number of of beads on this particular necklace, running from Bound for Perdition in 1917 through the upcoming Three Graces in 1945 (out in December 2023) that will finally bring out some answers to the question of what actually happened to Temple. 

The Carillons are a longstanding family – Ytene, their landed estate, goes back to nearly the Norman Conquest in 1066. There’s a lot of complex history there. And of course, there are recent tragedies, beginning with the death of Geoffrey and Temple’s parents on the Sussex, which was torpedoed in the Channel in 1916. This is an actual historical sinking, and the history about it has a number of unclear aspects, including – regrettably – the total number of deaths. 

In the course of the Great War, Temple is doing secret research with a number of other people. It becomes clear that some of that wasn’t good for him, on an extremely direct level – but Geoffrey has no idea what he was doing, nor is he in contact with anyone who seems likely to know. 

Carillon and Benton

A second reason I wanted to write Ancient Trust is because I love Carillon and Benton together. (Not romantically or sexually, Benton would never. But in all the ways they’re absolutely chosen family for each other, yes.) 

As I’ve mentioned elsewhere, Benton definitely falls somewhere on the autistic spectrum, but his life circumstances have given him clarity around what rules and expectations apply right now. He started out working as a hallboy and then a footman in a country house. When the Great War began, he served in the trenches, before being assigned as Carillon’s batman or soldier-servant when Carillon was assigned as an officer to their unit. When Carillon was pulled out for Intelligence work, he took Benton along – and discovered along the way that Benton was capable of learning quite a lot more magical technique and practical skills than he’d been taught so far. (You can see some of this in On The Bias, in 1925.) 

By the point we see them in Ancient Trust, they’ve settled into a life of expeditions punctuated by a few months back in Albion. They’re always moving on into some new setting, but Benton is clear about what Carillon wants out of him, and which parts Carillon will handle. And Benton, of course, brings an absolute pragmatism and attention to detail to all his work. 

I loved getting to write Ancient Trust seeing both of their takes on what was going on, and what information was and wasn’t available. Their mutual comfort with each other and trust in each other is an absolute delight to me. 

Connections to others

The last part of this is what I knew I wanted to do with this piece. For authors, this kind of reader magnet is meant to be an introduction to your characters, world, and writing that hopefully entices people to try out more of your work. Obviously, this is going to work better (and honestly, also be more fun) if you can tie in more than a couple of people. 

I’d been putting off writing this piece (despite having the opening scene in my head for quite a while, including Carillon’s comment: 

“I fear, Benton, that we must accustom ourselves to a new mode of address.” 

But as I kept nudging the outline, I realised that the timing of this allowed me to do some fascinating things with other characters. Ancient Trust overlaps with Outcrossing, my first book, which meant I could show Carillon’s meeting with Rufus (the hero of that book) from the other point of view. 

I also knew that Carillon had been friends with Giles for quite some time, since before the Great War, and that one of the things he is quietly furious about is the sort of warfare that involves gas attacks, like the one that blinded Giles. What I didn’t entirely know – until I wrote Ancient Trust – was how the Edgartons fit into that. 

When Captain Kate Lefton (newly married) and then Richard Edgarton showed up at the end of Outcrossing, I knew that these were people Carillon trusted, but also that that trust was relatively new and untested. I also knew he was very new to his title and had only recently returned to Ytene, so he’s not yet confident in his own connection to the estate and the land magic.

(Including, in this case, whether he could reliably pull off the soc-and-sac judicial magic, which requires the Lord of the land’s permission, and also someone who has the land magic connection and judicial magic knowledge to make it work. Richard Edgarton, as a Lord in his own right and also a magistrate, makes an excellent substitute. But of course, when I wrote Outcrossing, there was a lot I didn’t know about any of these characters yet.) 

I loved having a chance to explore how Carillon comes into the Edgarton’s circle, why he trusts them as quickly as he does (largely because he trusts Giles), and he is absolutely clear they’re competent in their own areas of skill and knowledge. 

Again, if you haven’t read Ancient Trust, it’s a novella (so a quick read) and you can get it for free by signing up for my newsletter. Enjoy! 

Read on

Idea to Book: Complementary

In Ideas to books
August 16, 2023
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Complementary is a f/f novella in 1910, and it’s full of art, forced proximity, and a dash of folklore. 

Fundamentally, Complementary exists for two reasons. First, I wanted to spend a bit more time with Elizabeth Mason (who appears in several other books, notably Pastiche, The Fossil Door, and Old As The Hills.) Second, I knew people who were getting a collaborative project off the ground to feature f/f or sapphic romance, Kalikoi. 

A copy of Complementary lies on a table with various kitchen herbs and tools.

Elizabeth Mason

Mason – as she is widely known – and Witt are both Penelopes, a relatively small community of specialists who figure out what magical chaos has happened now and fix it (or at least get it stable). They’re Albion’s forensic scientist specialists, but they’re also the people you call in when someone has done something troublesome in an alchemy lab or with one of those ritual methods that really, no one should mess with. 

They were apprentices at the same time, and have worked together closely ever since, in the manner of people who can and do finish each other’s sentences. 

They’re not the same, though. There’s a theory out there – first put forward by forward by Dahilia Lithwick in 2012 that divides people and characters into Order Muppets and Chaos Muppets. (I should note that the original article discusses Supreme Court justices in the US in ways that have aged unevenly, shall we say.) 

This also applies to Penelopes. Mason is the Chaos Muppet of the two, and Witt is definitely the Order Muppet. On average, the Penelopes alternate when they do apprenticeships, though not entirely. (Lucy Doyle, who was Witt’s favourite apprentice and Gabe’s apprentice mistress is definitely also an Order Muppet.) Gabe, of course, is also a Chaos Muppet. Neither he nor Mason are precisely out of control, but they do definitely have unconventional solutions to a number of problems. 

Anyway, I wanted to spend more time with Mason, and in her head. (Want more Witt? You can get a brief section from Witt’s point of view in the extra “Three Times Told“, that takes place after The Fossil Door. There are a few more bits from Witt’s POV coming in extras for Upon A Summer’s Day.) 

Mason is an artist who has a hobby of forging historical documents for fun and education. (How do you know how to detect them if you don’t try making them yourself? I might also have been thinking of a particular episode of Leverage in there.) Complementary gives her a chance to show off her art skills as well as her investigation skills. 

I also had mentioned her partner Rosemary a few times, and I wanted to know how they got together. Rosemary is a midwife by profession, so keeps irregular hours and is also reasonably tolerant of Mason’s habit of covering every flat surface with other objects. 

Artist colonies

During the 19th and early 20th century, there were a huge number of artist colonies dotting scenic bits of the British Isles. Like the one in Complementary, they weren’t always terribly well organised. Basically, you’d get a bunch of people together, some amount of shared resources to rent somewhere to live and manage some amount of food, and then everyone would go off and sketch and paint and whatever. It was usually the more portable arts, of course, especially if you were ending up somewhere more rural. 

One of the things that was appealing about writing about it is that you have a range of personalities thrown in together who might not otherwise have spent a ton of time with each other. Add a bit of a challenge to solve and it makes a great setting. 

Folklore

Finally, I wanted to have some fun with folklore. That area of England turned out to have some delightful bits of folklore. King Onna, the barrow, the Black Shuck, and the Devil beating on the church of the door are all part of the ongoing lore and conversation. If you do a search on any of these and throw in the word “Southwold” or “Norfolk”, you should dig up several versions.

(Though to be fair, it’s hard to come across spots that don’t have some sort of legend about large black dogs. They’re as common as healing wells, you can’t avoid coming across them regularly.) 

The Deadman’s Barrow is actually relatively close to Sutton Hoo, a famous Anglo-Saxon burial site of the 6th and 7th centuries that was first excavated in the 1930s. You may have seen the famous helmet or other items from the site.

If any of this intrigues, do check out Complementary, a novella of 35,000 words, just the right length for a pleasant treat. 

Read on

Idea to Book: The Hare and the Oak

In Ideas to books, Mysterious Powers
March 22, 2023
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Welcome to this week’s installment of “Idea to Book”, this time taking a look at The Hare and the Oak. It was a chance to take a look at three different strands I hadn’t spent much time wtih before. First, a deeper look at some of the implications of the Great War and the land magic. Second, what it’s like for someone who’s magical but not folded into Albion’s culture to figure it out. And third, a later in life romance (and what that means for Cyrus, in particular.) 

As always, there are some mentions of things that are spoilers (though I’m not getting deeply into the plot details of the book). 

The cover of The Hare and The Oak displayed on a phone, surrounded by a white peony, small pieces of jewellery. The cover has a silhouetted man and woman talking to each other on a green and brown background, circled by stars, with a hare leaping out of an oakleaf inset in the top left corner.

Land magic and the implications of the war

One of the things I think about a lot – fairly obviously if you read more than a few of my books – is the way the Great War changed people. Specifically, and also repeatedly, how it changed their relationship to the land magic. Great Britain and Ireland weren’t touched by direct fighting the same way as continental Europe war. (Or as they would be in the Blitz and other bombing raids of the Second World War.) And yet, there were an awful lot of changes to the land as a result. 

There were even more changes for the people who went and fought and came back. The sheer fact of being in the trenches would be destructive to many people’s land sense. That’s even before you get into issues like shell shock, trench collapses, or the sheer awful misery of trench warfare in general. 

A variety of experiences

Geoffrey Carillon, in his various books, recovered his through a set of chance timing. It brought him back to Ytene at a key point in his own life after he’d been pulled out of the trenches for other war work. Some people, like Adam in Mistress of Birds recovered some of it, but a lot more slowly and uncertainly due to other parts of their War.

Right now, I’m editing Old As The Hills and Upon A Summer’s Day, books that focus on Gabe and Rathna. More than one person notes that Gabe is unusual for not having had that particular damage to his landsense to work around. His injury happened just before he could have enlisted.

Other ways that could go

But there are lots of people who are still struggling with that, and who like Lionel did not necessarily get some of the tools or magical approaches that might have helped bridge the gap. It’s possible, for example, that if Lionel’s father had lived a bit longer, Lionel might have recovered enough of the land sense without being responsible for managing all of the implications yet. Or maybe not. 

A new view of Albion

One thing I wanted to do somewhere about this point in my writing, was have fun with a character who was coming into Albion’s culture – and especially its assumptions about that culture – as an adult. Nora’s not a point of view character, but her opinions about some of this nonsense are quite obvious on the page. She’s not afraid to question the things that seem foolish to her. But she’s also willing to listen to the fact there might be a reason for them. 

Nora’s a teacher by profession, and she’s curious. But she also doesn’t have a lot of previous experience to match against, because her background is so different. This means there’s a lot of fun to be had with Cyrus and Mabyn trying things out. They have to figure out what she responds to, and whether she can learn what’s needed promptly enough. 

A later in life romance (and Cyrus in particular)

Finally, I heard from more than a few readers that they really enjoyed seeing an older couple (in Seven Sisters). I wanted to spend a bit more time with a romance like that. Cyrus, of course, first got significant page time in Sailor’s Jewel, where he’s a significant secondary character. I wanted to contrast the death of his wife (very young, and in traumatic circumstances that led to a number of Cyrus’s later choices, including his challenge for the Council) with Mabyn’s. 

Her marriage was a good one by the standards of the Great Families, but it was not at all happy. It was emotionally constraining at the very least. Quite arguably it was emotionally abusive and neglectful for significant periods of her marriage. Seeing how she was willing to look at things again, and how building some trust with Cyrus in other areas changed her view of him – and other parts of her world – was great fun. 

I particularly love the way they balance each other, in terms of personality, magical interests, and background, without actually overlapping all that much except for both being on the Council. (Don’t worry, there’s more coming, as an extra, about Cyrus’s time as head of the Council starting in 1932.) 

Do these intrigue? Check out The Hare and the Oak.

Read on

Idea to book: Fool’s Gold

In Ideas to books, Mysterious Powers
March 15, 2023
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Fool’s Gold has a slightly different origin than many of my story ideas. Kiya (my friend and editor) had been talking to a friend of theirs who loves a disaster elf. Kiya told me about that. And then promptly said I should do something more with Robin, I hadn’t done a villain redeemed book yet.

Which, to be fair, is exactly what Robin is made for. 

Cover of Fool's Gold displayed on a tablet, set on a desk with a pink rose, a fountain pen, a jar of ink, and paper.

Villain redeemed

Robin turns up in two earlier books. He appears briefly in Wards of the Roses, wanting to get more involved with the research that begins at the end of that book. Kate isn’t at all sure what she thinks of him, and Kate has good instincts. 

Here’s how she describes him then: 

Kate paused, then cleared her throat. “He did the thing where a man reaches to kiss your hand, a little click of his heels, the precise angle of the bow, and the – gleam in his eye. Not the sort who’d push you into a convenient dark corner for his own pleasure, but the sort who uses his charm to get what he wants.”

And of course, if you’ve read Seven Sisters, Robin has definitely been up to no good, and with some potentially dangerous results. He’s so bent on what he’s searching for that he doesn’t see anything else, or doesn’t think about the consequences. 

The question with Fool’s Gold was how to write a story where he could be an engaging protagonist and have a romance that was satisfying. That meant he had to grow up a little and get more honest about what he wants. Leaning into Robin’s own skills of persuading people (and being a con artist himself at times) and what that meant when he was in a situation where he wanted to use them to help someone was lovely. Rolling around in Robin’s love of colour and art was even more.

Cousins and Fool’s Gold

Of course, the other thing that comes up here are the Cousins, the lines of families descended from the Seven Sisters, seven Fatae women who might or might not be deities, it’s hard to tell. As Vivian says in response to Cadmus’ question here, in Seven Sisters:

“That was a, do you call her a goddess?”

“I call her Grandmother Electra, so I don’t have to think about that, mostly, actually.” Then she continued. “You watching, it’s not, I said this, it’s not a dangerous thing. But it’s an intimate one.” 

Fool’s Gold gave me a chance to spend a lot more time with the Cousins, and with them being there on the page. (Robin’s terrifying aunts, as well as Vivian and Robin himself.) I hope to dig into the Cousins a bit more in some future book, because their particular family traditions fascinate me. 

It’s worth noting that there are more human-shaped Fatae in existence than just the Seven Sisters (you’ll be seeing some of them in Old As The Hills, out in May 2023).

The Cousins downline from the Seven Sisters have tended to intermarry with humans more, and to build up a larger communal culture centered on particular kinds of magic (including the areas around particular portals). They’re also generally more able to tolerate living in iron-rich spaces like modern cities, while other of the Fatae descendents tend to prefer more isolated homes. 

Banking and the custos dragons

I was not sure, until I got into the chapter where Emrys first appears, if the custos dragons talk. Clearly, they do, and the problem is more often getting them to shut up so you can get a word in edge wise. However, I’d been doing a lot of thinking about what a magical currency actually does. 

The Scali (and the other banking families present in Albion, the Bardi and the Grindlay) all have large networks of trade with other banking families. The Scali and Bardi are off-shoots of historical Italian banking families in Florence. In real-world history, the Scali went abruptly bankrupt in 1326, due to a combination of factors, including Edward III not paying his loans. The Bardi hung on for about another twenty years, but then had the same problem. 

However, it made sense to me that some portion of the family might have hung onto the magical banking aspect, and slowly rebuilt the rest of the banking after the Pact. 

A brief digression into the gold standard:

So what’s that magical aspect? Goblin Fruit mentions that the actual metal of the coins hold magic, especially those that have travelled widely. Every so often, coins need to come back and spend a cycle or so under a dragon, who tends them, syphons off the magical energy that might get disruptive, and smooths everything out. 

This works out fine as long as we’re working with a gold-backed currency system, but that’s getting very shaky in the 1900s. (As Beatrice points out, Britain has been on and off the gold standard several times. I thought about trying to map out the timeline for that, and then decided that it was entirely too confusing to get into, and also Robin didn’t care about the details.) However, that magical effect and needing to cycle the coins through is still necessary in the magical community. 

George

And of course, if there are dragons, they have to have some people to hang out with. George is named George for multiple reasons. I keep wanting to name minor characters George, you see. (I tried to do it with four different people in Outcrossing, and Kiya pointed out quite reasonably that this was confusing. Even if it was an incredibly common name for a couple of hundred years for men.) However, I promised that if I called this one George, I’d stop trying to do it elsewhere. That’s worked quite well! And given the legends of St. George, naming the dragon-tender for him just amused me too much. 

George is, as noted, also functionally a Cousin, though not descended from the Seven Sisters.

Does this intrigue? Check out Fool’s Gold. (Though as always, you might want to read Seven Sisters, first to get the full arc of Robin.)

Read on

Idea to Book: Eclipse

In Ideas to books, Mysterious Powers
February 16, 2023
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I love all my books – and all my point of view characters – but Thesan and Eclipse are particularly near and dear my heart. (I love Isembard too, mind you.) This staffroom romance at a magical school has a special place in the series, too.

Copy of Eclipse on a white cloth, with various small ritual items - sprig of rosemary, talisman, cards - beside it.

Education and the foundations of Eclipse

I grew up in the US, but with British parents. Every year, my father would go off to spend a week or so in England – for research, to see shows in the West End (he was a theatre professor), and to see friends. He’d come back with his suitcase half full of books, many of them for me.

School stories

There’s a whole glorious literature of children’s school stories in British children’s lit. The ones I grew up on were mostly Enid Blyton’s St. Clare’s and Malory Towers books, and the Chalet School books (there are many, and the first half or so are set in a school in the Austrian Tyrol, but run on a British girls school model, before it moves due to the Second World War.) 

But there are many many other books of that type and certainly many references to the boarding school experience. The houses, the rivalries between them (even when you’re put in them in purely pragmatic ways), and the many things that students get up to when they’re not right under a teacher’s nose (and sometimes when they are) were all part of the tapestry for me. 

My own education and work

A little later in my life, I spent the last two years of high school at a private boarding school (in the US sense). There were a lot of things I loved about it, like many of my classes, the music, the various events and performances on campus. And there were many things I found incredibly challenging, both in terms of an immense and intellectual demanding workload and on a social level. We had massive amounts of homework (5 to 6 hours a night), everyone felt like they were under a lot of pressure to excel. And the social dynamics could be hellish if things weren’t going your way. 

And then I spent a decade working in a private day school in Minnesota. Much less of the strong identification based on which dorm you lived in, but it gave me a look at that environment from a teacher – or in my case, librarian’s – point of view. I got to sit in on a lot of conversations about how you balance a range of classes, both in any given year and across a given student’s time in the school. I heard a lot about which kids seemed to have it all, but were really struggling, and which were blooming with a bit of support.  More on this in a minute. 

Eclipse’s antecedent

From 2007 to 2015 (before the more recent revelations), I was part of a long running Harry Potter alternate universe project, startign very much as a dystopia and moving toward a more hopeful end. It played out in online journals with (for the last three years of the project), the same 12 people writing and plotting across about 90 characters. It taught me a tremendous amount about how to write across a span of time and a wide range of characters, and it also posed a number of questions around worldbuilding. 

Among other things, how on earth the Hogwarts class schedules work with the stated number of teachers without manipulating time. 

Starting with some basics of time and space

There’s a reason that when I started thinking about this writing idea I had, the first two things I did was to figure out some baselines for demographics (how many people total in Albion, then broken down by ages and education). And then I did a class schedule for Schola. Which admittedly works somewhat more on a “do a bunch of work on your own and your teacher gives feedback” model than US (or modern UK) systems, but is functional.

Character dynamics in Eclipse

Thesan in particular is very much a result of that project, as was my wanting to play with the dynamics that come out in Isembard and Alexander. Most of all, I found myself wanting to spend more time looking at what it meant to set up a magical school that made pedagogical sense to me, that made sense in terms of historical development of the teaching of magic, and that had biases and preferences, but on a more complex level.

The implications of the houses and subjects

Alchemy and Ritual magic are the two most respected magical specialities (along with the various magics that go into duelling, for those that like that sort of thing). But almost no class exists in a void: you need Time and Place (the advanced astronomy class focusing on locational and chronological magics) to manage some kinds of advanced ritual preparation and planning, for example, or certain alchemical potions and mixtures.

Similarly, I have a lot of thoughts about what it means to have houses that are based on magic, and what the different house magics might affect. We’ve seen some of these discussed briefly, but there will be more coming in the 1946-1947 school story that’s the last book in the Land Mysteries series, where our protagonists are in four different houses (Bear, Fox, Horse, and Salmon), and we’ll get to see more of the different implications of the house magics.

In general terms, Fox, obviously, is the socially preferred house, but the others all have their proponents and for good reasons.

Astronomy and magic

This brings us more or less tidly to astronomy. For many many centuries, astronomy – the observation and analysis of the movement of stars and planets – was closely woven with astrology, which ranged from calendrical systems around which rituals were based to magical implications, to divinatory. If all you know of astrology is personality focused, there’s a lot more forms of astrology out there!

In Albion, what Thesan teaches is on the more scientific end of the scale, in the sense of “Can we reproduce this effect?” Various alignments of the stars (as seen from our particular spot in the universe, as she points out), have some impact on different kinds of magic. Using these techniques to time a ritual, expose materia to particular conditions, or make relationships between time and space can all be powerful tools.

The Quadrivium

Astronomy is also one of the four pillars of the quadrivium, a set of sciences that drive the world and help us make sense of it. I couldn’t use this in the book, but there’s a modern description of them that talks about them as pure numbers (arithmetic), numbers in space (geometry), numbers in time (music), and numbers in time and space (astronomy).

Every student at Schola takes Trivium (the arts of rhetoric, composition, and generally being able to use your words well), and then can take one to all four of the Quadrivium classes. All first years also have a class session every day where the Quadrivium teachers teach the basics of their particular fields (emphasis on what you need to know for other magical skills), so everyone gets at least some broad exposure. 

And as Thesan points out, astronomy has a lot of other implications for how you look at the world, about seeing what’s there by what you can’t see and how it affects things. 

The complexities of being a teacher

Finally, but by no means least, I really wanted to write about the complexities of being a teacher, and trying to be a good one. Like I said above, I worked at an independent high school for twelve years. The last eighteen months or so, I was the teacher librarian, and so had a homeroom, advising duties, and so on as well as being a librarian. 

More than you can see: Eclipse’s large cast

The thing I’d already  known – but I learned even faster – was that there’s always dozens of things going on in a school that you only know about tangentially. No matter how good a teacher you are, you cannot keep up with the individual private lives of even a couple of dozen students, never mind several hundred. (The school I worked at was about 400 in grades 9-12, so larger class size than Schola, but not that many more students.) 

There were some kids I got to know really well, and still miss (and sometimes wonder about) and those conversations were pretty wide ranging. What they were up to in the arts, in sports, in their classes, what they were considering for college. There are a bunch where I had very specific kinds of conversations with them – they’d check in on the daily trivia question in the library, for example. Or where I knew they liked these books a lot. But I often didn’t know a lot about their classes, their sports. Sometimes I’d pick up bits and pieces sitting with other teachers at lunch time.

But there were also plenty of kids where I maybe knew their name and that was about it. For whatever reason, we hadn’t connected on something specific, they weren’t the ones who hung out in the library whenever possible, they had other places to be. 

What that means as a teacher

Sometimes the kids I knew needed a lot more time and attention – the chaos of a friend breakup meant they needed somewhere quiet to figure out what to do next. Or they were stressed, and needed somewhere to hang out that wasn’t associated with grades directly. Or where I’d look the other way if they listened to music with headphones on.

(I still have the librarian death glare that can shut up people being too noisy at twenty feet or better, but I also believe strongly that if you’re in a library minding your own business, you should get to listen to music on headphones if you want to. Or read what you want to, even if it’s not what you ‘should’ be reading.) 

And sometimes I knew something was up with them, but I wasn’t the right person to help (or to help more than tracking down someone they knew and trusted a lot more).

Thesan and Isembard

Thesan and Isembard are right there in that mess during Eclipse. There are some students both of them know fairly well, and more where one or the other knows them, but not both. There are also just plain a lot of students! Thesan has some advantage, because she’s one of the only teachers (the other three Quadrivium teachers are the others) who actually teaches everyone in an academic course, however briefly. 

We have more to come of Schola in 1946-1947. That’s the school story, and one of the student protagonists and point of view characters in that is Leo, Thesan and Isembard’s son and younger child, who has lived his whole life at Schola. I’m very much looking forward to sharing more of that in due course! It’ll be out in May of 2024.

Curious? Eclipse has all this, and quite a lot more! If you want more about Schola (and Thesan and Isembard), Chasing Legends (found in Winter’s Charms) takes place on their first anniversary. There’s also an extra, With All Due Speed, available via my newsletter, that covers their engagement and wedding. Later on, they appear in Best Foot Forward, and there’s more of both of them to come in the Land Mysteries series.

Read on

Idea to Book: The Fossil Door

In Ideas to books, Mysterious Powers
February 2, 2023
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Welcome to our Idea to Book post for The Fossil Door! I’ve been spending a lot more time with Gabe and Rathna recently, thanks to writing Old As The Hills and Upon A Summer’s Day (coming out in May and June 2023), and getting to spend time with both of them at two different points in their lives has been fantastic. 

The Fossil Door has so much that I love – an amazing location, portal magic, and of course the way Gabe and Rathna get to know and trust each other.

Cover of The Fossil Door displayed on a cell phone, lying on a scattering of tumbled stones in shades of purple and green.
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Idea to Book: Carry On

In Ideas to books, Mysterious Powers
January 26, 2023
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The next book in our Ideas to Books series is Carry On, set in 1915, almost entirely in the Temple of Healing in Trellech. 

eReader with cover of Carry On showing on it, on a bed of pale pink rose petals.

When I started thinking about the Mysterious Powers series as a way to look at what was going on with the various institutions of Albion during and in the aftermath of the Great War, I knew I needed to be a little more consistent about planning out my timeline. (Unlike the Mysterious Charm books, which bounce around the 1920s out of sequence.) 

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12 Seconds in 1927 Ancient Trust Authorial Wiki Best Foot Forward Bound for Perdition Carry On Casting Nasturtiums Chasing Legends Complementary Eclipse Elemental Truth Enchanted Net Facets of the Bench Fool's Gold Forged in Combat Four Walls and a Heart Goblin Fruit Grown Wise Harmonic Pleasure Illusion of a Boar In The Cards Magician's Hoard Mistress Of Birds Necessary Conversations Nocturnal Quarry Old As The Hills On The Bias Outcrossing Pastiche Perfect Accord Point By Point Ritual Time Sailor's Jewel Schola Tales Seven Sisters Shoemaker's Wife Silent Circuit The Fossil Door The Hare And The Oak The Magic of Four Three Graces Treats And Extras Upon A Summer's Day Wards of the Roses Winter's Charms

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