Mistress of Birds

M

Thalia wants to make an impact.

Thalia's life is full of artists, authors, and other creative minds, but she's barely keeping herself together. After yet another rejection of her writing, she's willing to keep an eye out on a remote home on the edge of Dartmoor while her reclusive great-aunt takes a rest cure.

Adam hasn't been the same since the Great War.

Adam's family have long since run out of tolerance for his continuing shell shock. His uncle's broken leg is the perfect excuse to get Adam out of the house - at least he can make himself useful fetching and carrying. Adam's not at all sure he can be any sort of help to anyone. When he visits his uncle's apple orchard, he's even more confused by what he finds - and no one else seems to find the late-ripening apples at all unusual.

The house has its own secrets.

At first, the house seems a pleasant enough retreat for Thalia. The housekeeper and maid are competent, if distant. The food is wonderful, and she didn't have to buy or cook it herself. But there's the odd noise from the attic, the locked rooms, the ageless photographs. When she meets Adam, they at least agree that something is odd. Can they discover the secret and change their futures?

Mistress of Birds is the seventh book of the Mysterious Powers series, exploring the institutions of Albion during and after the Great War. It is full of gothic mystery, feeling out of place, apples, birds, and how to move forward into a new stage of life. Enjoy this charming romantic fantasy set in 1927 with a happily ever after ending!

Content note details
Both hero and heroine have what we'd now describe as complex post-traumatic stress disorder (CPTSD) though with different causes and experiences of it. Includes (in chapter 31) a paragraph of brief direct reference to 1917 treatments for shell-shock, which to be blunt, were brutal torture. Gothic romance, with higher levels of spooky tension than my books usually run to (but I promise a happy ending). No on-page sex.

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A silhouetted man and woman in Victorian dress stand with their backs to the viewer. She is holding a glass of wine as they look toward each other. The background is a purple damask, crossed by pipes and gears and a streak of lightning, with a book inset in the top left corner.
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A silhouetted man and woman in Victorian dress face each other. He is holding a book open for her, as her hand moves to turn a page. They’re on a background of green damask with green pipes, a streak of lightning behind them. A bee is inset on top of a gear in the top left.
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A silhouetted man and woman in Victorian dress waltz hand in hand on a golden damask background bordered by pipes and gears with a streak of lightning behind them. A jeweled ring is set in the top left.
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Period: Edwardian

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Cover of Complementary. Two women in Edwardian dress in silhouette stand talking with each other. One is taller and calmer, the other is shorter, gesturing. They are on a green background, with an artist's palette in the bottom right.
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Period: 1920s

Romance: M/F, Established relationship, Closed door

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Cover of Winter's Charms, a seasonal novella collection. Three figures are silhouetted on a blue background with snowflakes, in front of a roaring fireplace decorated with a red and green garland. One man is sitting in a chair, gesturing, a woman stands wearing a translucent shawl, and another man leans his hand on the mantlepiece. Oranges and cinnamon sticks are inset in the top left.
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Nothing too horrible can happen in a fortnight. Charlotte is worried. Her friend Victor - the man everyone expects she’ll marry - has fallen in with a new circle. Growing up in the family she has, Charlotte knows there’s something odd going on. The new friends are older, united in a passion for ancient legends, and there’s something just a bit too intense about all of them. When Charlotte and Victor are invited for a fortnight at a remote country house with the rest of the group, she goes along to keep him out of trouble. It’s hard to get by as a working alchemist. Lewis hopes his arrangement with Morgen will let Lewis keep his brother in a much-needed potion and begin to build up his own business as an alchemical perfumer. He doesn’t mind being stuck in an isolated cottage on a rural estate while he does it. But when Charlotte appears in his kitchen - an impossible idea - they have to figure out what’s going on at the main house and how to stop it without causing more problems. All they have to work with are the skills they already have and whatever is stocked in the alchemy lab. Perfect Accord takes place in the magical community of Great Britain in 1923, as Charlotte is preparing for her older brother Gabe’s wedding. Third in the Mysterious Arts series, it can be read in any order. Join Charlotte and Lewis for a short tour through mangled Arthuriana, a long stint of forced proximity, and a sensual romance full of perfume, cooking, and time in bed.
Perfect Accord

Period: 1920s

Romance: M/F, Bisexual

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Cover of Goblin Fruit. A man and woman in 1920s dress are silhouetted on a glowing red and golden yellow background. She turns toward him and he holds her hand. A bottle of golden liquid is inset in the top right corner.
Goblin Fruit

Period: 1920s

Romance: M/F, First relationship

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Cover of In The Cards. A man and woman in 1920s dress silhouetted on a pale purple and blue cover. She turns away from him, and they are looking at something to the right of the image. A set of divination cards are inset in the top right.
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Period: 1920s

Romance: M/F

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Cover of Magician's Hoard. A man and woman in 1920s dress silhouetted on a teal background shading to sandy brown. A hedgehog is inset in the top right.
Magician's Hoard

Period: 1920s

Romance: M/F, Closed door

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Cover of Mistress of Birds. A man and woman in 1920s clothing silhouetted on a purple and deep blue-grey background. He holds a walking stick as tall as he is and wears a cap, she wears a hat and long sweater. Apples are inset in the top left.
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The cover of Three Graces has three women in silhouette, two standing and one sitting, her hand resting on a cane. All three are wearing clothes from during the Second World War, against a deep brown cover with a map. An astrology chart to the back left has the Moon and Venus picked out in brighter gold.
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Four students in silhouette on a blue background of a map off the west coast of Wales. Three stand around a table, the fourth is perched on the near corner, leaning forward and gesturing.
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Showing books 1-13 of 13

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