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Idea to Book: The Magic of Four

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Welcome to our Idea to Book post for The Magic of Four, which just came out at the beginning of May. (This means that from now I’ll add a new Idea to Book post a few weeks after the book comes out. But you won’t have a long string of them.)

The Magic of Four is also the last book in the Land Mysteries series, which explores three themes during the Second World War. Those are a range of different kinds of relationships in our lives. It’s also about the land magic, and how Albion responds to the Second World War. You can see all three of those here, in various ways.

The Magic of Four has everything you might hope for in a school story. There are snippets of classes, finding friends, dealing with student problems. And of course, because it’s Schola, it’s got magical sports (pavo and a dash of bohort), secret societies, and all the implications of a magical school. 

As I’ve noted, I do have plans for three romances. Ursula Fortier (Leo’s older sister) will have hers in 1947, Edmund Carillon (Ros’s older brother) in 1948, and Claudio Warren (in his 40s, and close to both Leo and Avigail) in 1950. Those will let me tie up some loose threads on other ongoing questions about the land magic, living in post-war Albion, and the Council. Learn more about my plans.

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In Character: Thomas Benton

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It was hard to choose who would be up second in this series of In Character posts focusing on particular individuals in my books. Thomas Benton is often in the background, but I love his steadiness, his loyalty, and his competence. 

Benton is a point of view character in Ancient Trust (a prequel novella in 1922) and his own romance, On The Bias, in 1926. The best way to find all the books with Benton somewhere in the picture are the books about the Carillon family. (You can find that list at the end of this post, for convenience.)

Copy of On The Bias lying on a bouquet of early summer flowers, with tea and honey nearby, in shades of pinks and pastel greens.
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Idea to Book : Perfect Accord

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With this Idea to Book for Perfect Accord, we’re caught up to the current releases (well, until Friday, when The Magic of Four is out). We’ll have that idea to book post in a couple of weeks. 

Perfect Accord exists because as much as I adore Gabe, his sister is also fascinating. They’re both very much children of Alysoun and Richard – with that particular combination of intelligence, observation, and practicality. But they get there in distinct ways. More about that under Charlotte’s story. 

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Neurodiversity in my books

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It seems a good time for an update on neurodiverse characters in my books (the last one was back in 2021.) April is one of the months celebrating neurodiversity (Autism Acceptance Month), and there was a recent extensive rec post on /r/romancebooks on Reddit for romances with neurodiverse characters.

As I did in 2021, we’re going to go at this by character (alphabetically by first name), since many relevant characters appear in multiple books. My goal with writing has always been to reflect a wide range of experiences of the world like me and many of my friends. And that includes people who don’t always get to be the ones on adventures or getting a happy ever after romance.

There are a number of other characters in my books you might reasonably read as neurodiverse. I’ve mentioned a few at the end of the post that Kiya and I have discussed back and forth, but some of this is in the eye of the beholder. Reader perception is important too!

Just want to explore some books? Here are all the titles that particularly feature a neurodiverse character.

Showing books 1-16 of 16

Period: Edwardian

Romance: F/F, Late in life romance, Closed door, Lesbian

Content notes: Click here to reveal

Cover of Complementary. Two women in Edwardian dress in silhouette stand talking with each other. One is taller and calmer, the other is shorter, gesturing. They are on a green background, with an artist's palette in the bottom right.
Complementary

Period: 1920s

Romance: M/F

Content notes: Click here to reveal

The cover of Bound for Perdition has a man and woman silhouetted in dark brown on a green and brown background, with the woman holding a book while the man gestures. An open blank book and pen are inset in the top right corner.
Bound for Perdition

Period: 1920s

Romance: M/M/F, Bisexual, Polyamorous

Content notes: Click here to reveal

Cover of Winter's Charms, a seasonal novella collection. Three figures are silhouetted on a blue background with snowflakes, in front of a roaring fireplace decorated with a red and green garland. One man is sitting in a chair, gesturing, a woman stands wearing a translucent shawl, and another man leans his hand on the mantlepiece. Oranges and cinnamon sticks are inset in the top left.
Casting Nasturtiums

Period: 1920s

Romance: Not a romance

Content notes: Click here to reveal

Cover of Ancient Trust: A man with a monocle picked out in gold stands by a table stacked with books. An owl is inset in the top left.
Ancient Trust

Period: 1920s

Romance: M/F, First relationship, Demisexual, Bisexual

Content notes: Click here to reveal

Cover of The Fossil Door. A man and woman in 1920s dress stand silhouetted on a bright burgundy and glowing orange background. An illuminated book is inset in the top left corner.
The Fossil Door

Period: 1920s

Romance: M/F, First relationship, Late in life romance, Closed door, Demisexual

Content notes: Click here to reveal

Cover of Seven Sisters. A thin angular woman and man in 1920s dress silhouetted on a background of lavender and grey. Bright green curling vines are inset in the top right.
Seven Sisters

Period: 1920s

Romance: M/F, First relationship

Content notes: Click here to reveal

Cover of Perfect Accord: Two silhouetted figures in 1920s casual clothing. The man is handing the woman a perfume bottle, and she is testing it on the inside of her wrist. The right upper corner has a perfume bottle inset.
Perfect Accord

Period: 1920s

Romance: M/F

Content notes: Click here to reveal

Cover of Eclipse, with a man and woman wearing academic robes in silhouette on a twilight blue and sunset orange background. She is gesturing up toward the sky. A telescope is inset in the top left.
Eclipse

Period: 1920s

Romance: M/F, First relationship, Late in life romance, Demisexual

Content notes: Click here to reveal

Cover of On The Bias. A man and woman in 1920s clothing are silhouetted against a pale green, yellow, and purple background. A brightly coloured rooster is inset in the top right.
On The Bias

Period: 1920s

Romance: M/F, Established relationship, Closed door

Content notes: Click here to reveal

Cover of Winter's Charms, a seasonal novella collection. Three figures are silhouetted on a blue background with snowflakes, in front of a roaring fireplace decorated with a red and green garland. One man is sitting in a chair, gesturing, a woman stands wearing a transluscent shawl, and another man leans his hand on the mantlepiece. Oranges and cinnamon sticks are inset in the top left.
Chasing Legends

Period: 1920s

Romance: M/F, Late in life romance, Closed door

Content notes: Click here to reveal

Cover of Weaving Hope: A man and woman in 1920s informal clothing are silhouetted on a bright pink background shading to purple. She is holding out a length of cloth to him, showing him something, with phlox flowers inset in the upper right corner.
Weaving Hope

Period: Second World War

Romance: M/F, Established relationship

Content notes: Click here to reveal

The cover of Old As The Hills has a man with a cane and a woman silhouetted on a green ground with a map. She holds out her hand, he is putting something into it, forming a doorway between them. An astrological chart behind them shows the symbols for Venus, the Sun, Jupiter, and Saturn highlighted behind a splash of glowing stars.
Old As The Hills

Period: Second World War

Romance: M/F, M/M/F, Established relationship

Content notes: Click here to reveal

The cover of Upon A Summer's Day shows a man in a suit silhouetted over a map of northern Wales in a muted green. He is gesturing, holding his cane in one hand, a cap on his head. Behind him is an astrological chart, with Jupiter and Saturn highlighted in the sign of Taurus.
Upon A Summer's Day

Period: Second World War

Romance: M/F

Content notes: Click here to reveal

Cover of Illusion of a Boar: Four magical specialists are thrown together in the spring of 1944, working on a secret project in the run-up to D-Day. Solving the problem before them is one thing: sorting out their lives is an entirely different one. It’s full of chosen siblings having each other’s backs, forced proximity, and unexpected skills in play. A fantasy romance, this is also a great entry point to the series.
Illusion of a Boar

Period: Second World War

Romance: Not a romance

Content notes: Click here to reveal

The cover of Three Graces has three women in silhouette, two standing and one sitting, her hand resting on a cane. All three are wearing clothes from during the Second World War, against a deep brown cover with a map. An astrology chart to the back left has the Moon and Venus picked out in brighter gold.
Three Graces

Period: Post-war (late 1940s)

Romance: Not a romance

Content notes: Click here to reveal

Cover of The Magic of Four: Four students in silhouette on a blue background of a map off the west coast of Wales. Three stand around a table, the fourth is perched on the near corner, leaning forward and gesturing.
The Magic of Four

Showing books 1-16 of 16

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You can also find more of a number of these characters in various of the extras I’ve written and shared.

Upon A Summer's Day displayed on a tablet in a sunset scene looking out across water to fields beyond, all of it glowing golden and sparkling with magic. The cover of Upon A Summer's Day shows a man in a suit silhouetted over a map of northern Wales in a muted green. He is gesturing, holding his cane in one hand, a cap on his head. Behind him is an astrological chart, with Jupiter and Saturn highlighted in the sign of Taurus.
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Architecture and magic

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One of the things I’ve thought about a lot is the interaction between architecture and magic in Albion. 

Now, first, I am by no means a specialist in this sort of thing! But besides having lived in a range of places, I’ve done a little bit of college coursework that covered buildings. I’ve been generally been interested in how spaces adapt and change over time. 

The cover of Four Walls and a Heart in a frame, with a globe and cup of coffee. The cover is a deep red, with a man in a wheelchair and a man standing, both in silhouette, in front of a large blue and glass door.
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In Character : Richard Edgarton

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Welcome to the first in a series posts focusing on a specific character. We’re starting with Richard Edgarton, who’s appeared in a number of books over his life. He’s married to Alysoun Edgarton, and the father of Gabriel (Gabe) Edgarton and Charlotte Edgarton Wright, as well as grandfather to their children. He’s also been Lord of the land, a Captain in the Guard, and a magistrate for most of his life.

You can find the complete list of books Richard’s appeared in on his page on my authorial wiki, as well as the arc of books that deal with the Edgartons as a family

Copy of Pastiche on an open book on grass with yellow leaves. The cover has a silhouetted man and woman in Edwardian dress, in front of a golden stained glass window on a deep teal background.
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