Celia

Celia Lake spends her days as a librarian in the Boston (MA) metro area, and her nights and weekends at home happily writing, reading, and researching for her books about magical Albion. Born and raised in Massachusetts to British parents, she naturally embraced British spelling, classic mysteries, and the Oxford comma before she learned there were any other options.

Ideas to book: Magician’s Hoard

Welcome to the next in this series of posts about ideas behind my books. Today, we’re talking about Magician’s Hoard, which takes place in 1926, featuring Pross and Ibis. Egyptology offers so many opportunities. And the 1920s are a tremendously rich period in the history of the field. (I’m pretty sure we’ll be revisiting sometime later in my writing). In 1926, when William Matthew Flinders Petrie was actively excavating and sending materials back to what would become the Petrie Collection at University College London.  In 2015, I visited London, and was able to go to a lecture at the Petrie Collection (on the Egyptology behind the Doctor Who episode, Pyramids of Mars, which had its 40th anniversary that week.) It’s an amazing collection, with all sorts of little treasures and unusual items. Exactly the sort of thing Ibis could usefully apply himself to.  Who would do this? I knew I wanted to do a book centering on Pross Gates, who appears in Outcrossing as a secondary character. She’s intelligent, resourceful, and independent – not looking for love, but rather stuck in a rut. The more I wrote about Ibis, and his goals and priorities, the more fascinated I was about how they fit together.  Ibis and his religion. Here’s another bit of worldbuilding. One of my goals for the series is to write a cultural sense of religion that was not purely Christian (or religions of the Book, for that matter…)  Many of the characters in my books have family practices […]

Welcome to 2022! More books ahead!

Hello, and welcome to 2022! I have aspirations and intentions of doing more regular blogging about my books and writing this year, so I thought it’d be great to start out with what I’m hoping to write and publish this year.  (As always, my newsletter gets all the news first, including some additional details that won’t be on the blog. Also some extra scenes or short stories from time to time as I’m inspired to write them.)  (2021 was an amazing year! The Fossil Door, Eclipse, Fool’s Gold, Sailor’s Jewel, Complementary, and Winter’s Charms all came out thanks to my being home a lot more. I’m expecting my writing speed to drop a bit in 2022, but I also have a lot of things I want to write, so I’ve got some ambitious goals.) (Likely) coming out in 2022:  I’m hoping to release 4 books and 2 novellas in 2022. Because of the way I draft and edit, three of the four novels already exist in draft (or will within a week or so, I’m finishing one of them right now.) My goal is to hit the months indicated, but it’s a changeable world out there, so dates may shift somewhat in the process.  The Hare and the Oak: A later-in-life romance featuring Cyrus Smythe-Clive (seen in Sailor’s Jewel as Rhoe’s older brother, and briefly in Carry On and Eclipse). When Lord Baddock shows up at the Council Keep looking for help, Cyrus and Mabyn Teague (seen briefly at the end of

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Winter’s Charms

Hello to winter! (At least in New England, where I am.) Time to curl up on the couch with a good book? Winter’s Charms is a collection of three seasonal novellas that centre around the winter holidays. I’d known since I wrote Eclipse that I wanted to spend more time both with Seth and Golshan and Dilly, and exploring some of the further mysteries of Schola. Several readers had also said they were very interested in these things. Add in a bit of Kate and Giles and their glorious banter, and you have a collection! Casting Nasturtiums is about how Seth finds his best friend Golshan after the Great War. (MMF polyamorous romance, mentioned briefly in Eclipse). This is the novella that came bursting out of my head from the opening scene, and the three of them continue to delight me. Seth’s fierceness, Golshan’s bafflement, and Dilly’s resolute good humour just make me smile (and sometimes cry) every time. Country Manners finds Kate and Giles (from Wards of the Roses) visiting his grandmother and his family for the winter holidays in 1921. It’s a bit of a challenge. Fortunately, they also discover a small mystery. I love Kate and Giles, and their comfort with each other here. (They have a great line in banter, sometimes.) This also answers the question of “How did Kate get that Pleasing Token she’s wearing in Outcrossing, and what is a Pleasing Token, anyway?” Chasing Legends explores some of the deeper magics of Schola, when a mysterious knock on the

Welcome to Fool’s Gold!

Fool’s Gold came about partly because my editor said, “You haven’t done a villain redeemed yet. Robin would be a great candidate.” Robin appears in Seven Sisters (and Fool’s Gold does contain references to, and thus some spoilers for the events of that book, though only in fairly broad strokes.) He also appears briefly in Wards of the Roses. Since then, he’s been struggling. Closely monitored by his Aunts for more than two years, he’s finally freed to begin to rebuilding his life and work. He’s eager to get back to paints and inks, art and antiques, even if he’s still frustrated and unmoored by other parts of his life. When he overhears a chance conversation about art forgery, he notices Beatrice. Beatrice has lived with an inherited curse since she was a baby. Visible to her family but invisible to everyone else (or so she thought), she is startled when Robin addresses her. She wants to know more, and besides, Robin has some thoughts about the man who’s courting her cousin. Come enjoy Fool’s Gold for a story about finding your way in the world, family expectations (both good and bad), a perky dragon, art and artists, and much more.

Neurodiversity and recent history

If you’ve read more than a couple of my books, chances are that you’ve noticed a number of them have characters who are what we’d now describe as neurodiverse. Neurodiversity is a term that encompasses a lot of conditions or experiences of how people think and interact with the world. They can include a wide range of things we have some names for, and plenty of things we don’t. Some you’ve probably heard of include autism, ADHD or ADD, dyslexia, dyscalculia, or dyspraxia  Tourette’s Syndrome and some mental health conditions. Some estimates suggest that 30-40% of people fall into at least one of these categories (there can be overlaps, which make statistics harder…)  There’s also a huge range of experiences and ways this shows up for people. Each and every person has a unique brain and set of life experiences. All sorts of factors like family support or expectations, educational support, professional support and guidance (if testing and/or medication is part of the picture) make a difference in what it means for an individual. We also know that while the term ‘neurodiversity’ is quite modern (it was coined in the late 1990s by Australian sociologist Judy Singer), that neurodiverse folks have been part of the world since, well, there were people. For example, John Donvan and Caren Zucker wrote In a Different Key: The Story of Autism, a history of autism. As part of their research they discovered records from the mid-1800s that pretty clearly describe what we’d call autism today,

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Sailor’s Jewel is out!

Sailor’s Jewel is set in 1901, during a November crossing of the Atlantic on The Moonstone, a luxury magical ocean liner. Rhoe is about to take up a new and challenging position at the Temple of Healing. Her parents have persuaded Cyrus, her brother, to take her on one last pleasant voyage in hopes of changing her mind about a few of those commitments. Cyrus, a member of Albion’s Council, has his own worries, but he’s looking forward to a trip with the sister he rarely gets much time with. Hugh Pelagius has been working his way up in the family business, learning all the pieces that go into every voyage. This trip, for the first time, his duties are to socialise with the first-class passengers and make sure everything goes smoothly. When a magical jewel Cyrus is conveying to Boston causes problems, Rhoe and Hugh must work together with Cyrus and others to keep the ship safe and take care of everyone on board. Get your copy now for pelagic mermaids, magical gems, and shipboard life: Amazon Kindle Apple Books  Barnes and Noble Nook Google Play Kobo Additional options Where this book fits into my other stories: As always, you can read my books in any order. Rhoe appears later in her life as a secondary character in Carry On, and Rhoe, Hugh, and Cyrus have all made an appearance in Eclipse. Anything else you want to know? You can check out my content notes page for some additional

Joy! People loving my books

I spent last night staring at my computer screen in utter delight (and a fair bit of ‘wait, is this real?’), due to the lovely comments on the latest Whatcha Reading? (May 2021, part 2) post from Smart Bitches, Trashy Books. Thank you so much to Catherine and all the other commenters who’ve said such kind and glowing things about my books. I’m ecstatic that people have enjoyed them for all the reasons I hoped people would. I’ve been a reader at SBTB for many years (sometime before 2010), and it’s one of my go-to sites for discovering new books, with thoughtful commentary about a wide range of books. The comments there did make it clear I really ought to add some information to my website, though. If you’d like to try out my books, you can get my first book, Outcrossing, for free by signing up for my newsletter. (It’s my first book, and I’ve learned a lot about writing since then. I recommend Pastiche as a starting point to see what I think my books do best.) New today: I have a page of questions and answers, talking about: Reading order (see below) Where you can get my books Getting my books from your library What helps me most as an author Finding out about what’s coming next Why I’m (mostly) writing in the 1920s Why disability representation is a thing I care about. Where to learn more about historical tidbits What’s in my newsletter and why you

An Eclipse changes everything

I’m so delighted to be able to share Eclipse with all of you. Schola is the most elite of the magical schools of Albion, devoted to preparing the best and brightest young adults for a life of magic, innovation, and perhaps service. Students hurry from class to class, learning everything from writing to duelling, alchemy to astronomy. Thesan is now established as the Astronomy professor, but is still one of the youngest and newest teachers at Schola. She is eagerly anticipating the upcoming eclipse, a rare event, as well as her usual classes and projects. Isembard came to Schola last year to teach Protective magics and act as bodyguard and mentor to two sons of Council Members. He has settled into a pleasant life with a great deal of time in the duelling salle, and an amiable beer in the pub on Saturday evenings while he and Thesan mark assignments. This year promises to be even better, since Alexander, his own mentor, will be teaching Ritual classes. No school year is ever simple. And it never goes the way you think it will. Eclipse is full of astronomy, what makes a good teacher, student dramatics, glittering social events, academic politics, students who are possibly up to something, and whether a relationship might work between two people from very different backgrounds who have their own professional goals and expectations. Set in the 1924-1925 school year, Eclipse explores what it means to live, work, and love at Schola. Get your ebook now

The economics of writing

An unusual post from me, but I found I had some blog-length things to say about a currently ongoing conversation on Twitter. Short version: If you want to support an author: Buy their books (or ask your library to) Tell other people about their books (leave a review, tell your friends, etc.) Support a reasonable copyright term that allows them to plan for the future and benefit over time from the work that has gone into the book.

Come explore The Fossil Door!

When a recently established portal stops working in the Scottish Highlands in 1922, Rathna, a Portal Keeper, is assigned to figure out what happened. Gabe is assigned to assist her. Neither of them expect the challenges they find, the dangers of the local wildlife, or the way history and magic can come back to haunt you. They’re both keeping secrets. Can they learn to trust each other, fix the portal, and move forward in the world? Gabe is perhaps one of my favourite heroes so far – and a book set in the remote Scottish Highlands gives him plenty of scope to show off his skills and knowledge. Rathna is much quieter, the sort who looks before she acts, for all sorts of reasons. (Sign up for my newsletter for a short character study about Rathna’s apprenticeship that I’ll be sending out in March 2021.)

Knitting for the war effort – Wristers

Knitting for the war effort during the Great War involved all sorts of things. Some were simple – wristlets and mufflers (scarves), and socks. (I admit, I am intimidated by knitting socks.) They also included more complex items, like gloves designed to allow for easy shooting of a gun, or caps to be worn under helmets. Elen, the heroine of my latest book, Carry On, does a lot of knitting. I wrote in my last post about wartime knitting in general, but I wanted to give it a try myself. So I spent a bit of time in late November knitting up a set of wristlets. (About 7 hours, all told.) Read on if you’re curious about knitting your own historical pattern. An example I ended up using a modernised pattern from Holly Shaltz, taken from a July 1917 issue of Modern Priscilla Magazine, using patterns from the American Red Cross. There are very similar patterns in British Red Cross guides too. Holly has patterns for a scarf there too. British and American knitting needles are different sizes. Worse, needles during the Great War were also different from the sizes we used today. I was happy to use someone else’s guidance on an appropriate combination. The yarn for these is in a colour suitable for wartime (not quite British khaki, but would not draw attention), Jagger Spun Heather in the Peat colourway. Basically any wool worsted-weight yarn should do for this. My yarn comes from my local yarn shop, Mind’s

Knitting for the war effort

Carry On, my latest book, takes place in March 1915, early in the Great War. Knitting for the war effort was still ramping up to some extent, but many people were hard at work knitting all manner of items to go to the front. Elen, my heroine, is no exception. She knits when she’s waiting to be called into someone’s office. She knits when her patient is dozing. She knits when she’s not doing something else with her hands. Basically. What did they knit? There was a huge range of war time knitting, but there were a few constants: The items had to be practical Mufflers (scarves), wristers or fingerless gloves, gloves, socks, and knit caps to go under helmets were the most common, but in the resources below you’ll see patterns for a few other things. Colour mattered Items going to the front had to be a suitable colour. In 1915, this was a bit more flexible, but dark colours or khaki were common. White or other light colours not only would show dirt (and other things) but they could make it easier to spot you in the dark. Wool was great. Wool has a lot of advantages as a fibre. It wicks moisture well, and it will still keep you warm even if it’s wet. It was also widely available in the British Isles Some modern techniques didn’t exist quite yet. If you’re a knitter, you might be wondering about circular needles (patented in 1918, so not quite

Carry On is out!

I’m delighted to be able to share Elen and Roland’s story with you.  The first thing Roland remembers after being injured at the First Battle of Ypres is waking up in a hospital room at the Temple of Healing in Trellech. Over the following weeks, he is tended by a series of nurses, none of whom stays more than a week or two. He never sees the healer assigned to his case – and worse, he has heard nothing from his family.   Elen just wants to keep nursing. Sent home from the Front after a bad concussion and ensuing migraines, she knows that taking whatever assignment she is offered is her only option. Even if it’s a decidedly odd assignment – the sole nurse tending to an unusual patient. Together, she and Roland must figure out what is going on with his Healer, how to make sure he gets the care he needs to recover – and how to remember to have hope again.  Carry On is full of quiet resolution, knitting, and compassion. Set in the spring of 1915, it takes place early in the Great War.  You can get ebooks from your favourite source.  (Paperbacks and library options will be following shortly, keep an eye out at my newsletter for when they’re available.) 

A few updates around the place

If you’ve been by here in the last week, you’ll notice a few updates around here. A new page for the books These include more information about each series, and quick links to the books in order. (Here’s the main books page, the Mysterious Charm series page, and the Charms of Albion page.) Let me know if there’s more information you’d find useful here. Content notes I know that there are some things you might not be in the mood to read (right now or ever), and also that some of you might be particularly interested in finding books that focus on certain things or characters. I’ve got a shiny new content notes page that fills in some of this information. (It does include some spoilers, though I’ve tried to avoid them as much as I can.) If there’s something I haven’t covered, or something you’d like more information about, you’re always welcome to write and check with me. Coming soon I’m working on a way to more easily share some additional information with you, like maps and timelines. Keep an eye out here and elsewhere on social media for updates.

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