AuthorCelia

Celia Lake spends her days as a librarian in the Boston (MA) metro area, and her nights and weekends at home happily writing, reading, and researching for her books about magical Albion. Born and raised in Massachusetts to British parents, she naturally embraced British spelling, classic mysteries, and the Oxford comma before she learned there were any other options.

Cover Design: Mysterious Fields

In Mysterious Fields
7 months ago
C

For the last of our current series of posts about cover design, it’s time to share the covers for the Mysterious Fields trilogy. I love the elements Augusta pulled together to evoke just the right feeling for these covers.

A silhouetted man and woman in Victorian dress stand with their backs to the viewer. She is holding a glass of wine as they look toward each other. The background is a purple damask, crossed by pipes and gears and a streak of lightning, with a book inset in the top left corner. An amethyst sits beside the tablet with the cover.

Overall design : Mysterious Fields

Because these three books form a tight continuous trilogy (unlike any of my other books!) we really wanted the covers to fit well together. All three have the same basic elements:

  • Damask background (for the late Victorian feel)
  • Appropriate clothing! Augusta worked off a number of reference images for this.
  • Electricity (a key theme in the books)
  • An inset item
  • Silhouetted figures who – over the course of the trilogy – move from distance to togetherness.

And then we have the pipes, to lean a bit more into the gaslamp feel of these books. People are exploring the intersection of science and magic, not always with the best results.

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Cover design : Land Mysteries

In Land Mysteries, Writing and publishing
8 months ago
C

I’m back this post to talk about some of the choices that went into the cover design of the Land Mysteries books. As is visible, they take a different direction in some ways from my 1920s books. There are also a number of details you might not have spotted that I’ve been wanting to highlight!

One note that this post contains spoilers for key moments in the books (since that’s relevant to what’s on the cover). I’m avoiding talking about details here, as much as feasible. But if you want to avoid all spoilers, go have fun reading and come back when you’ve read the relevant books!

The cover of Old As The Hills displayed on a tablet in a scene of a glowing golden summer sunset, looking out over a pond surrounded by tree trunks. The cover of Old As The Hills has a man with a can and a woman silhouetted on a green ground with a map. She holds out her hand, he is putting something into it, forming a doorway between them. An astrological chart behind them shows the symbols for Venus, the Sun, Jupiter, and Saturn highlighted behind a splash of glowing stars.
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Covers : Mysterious Arts

In Mysterious Arts, Writing and publishing
8 months ago
C

I absolutely adore my covers. Augusta Scarlett does a fantastic job figuring out how to come up with something that fits the genre, the historical period, and the feel of the book. Welcome to the first of three upcoming posts about our cover design, focusing on the Mysterious Arts covers.

Later this summer, we’ll have one about the Land Mysteries series. And finally, we’ll have a post about the covers for the Mysterious Fields trilogy. We’re starting with Mysterious Arts because they’re the simplest to talk about in several ways.

I’ve put the cover images in at Large size to make it easier to look at the details. Depending on your reading habits for this blog, opening them in a new tab might be easier.

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Summer reading challenges 2024

In Reading
8 months ago
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Adult summer reading programs are getting going (at least up here in the United States…) As I’ve done twice before, here’s a list of my books that fit into specific categories. If you’ve got another category, let me know! Sometimes it’s a lot easier for me to pull a list than it is for readers to figure out all the books that might fit quickly.

For example, I recently added a list of characters by age to my wiki. Easy for me to pull together, involves more math for everyone else!

You can find previous related posts at Up for a 2024 reading challenge? and Summer (any time) reading for lists from 2023. Jump down to specific kinds of bingo squares with the links here.

Author | Type of book | Colours on the cover | Title | Characters | Setting | Other

If you’re looking for a challenge, I’m drawing from items on the following lists:

Upon A Summer's Day displayed on a tablet in a sunset scene looking out across water to fields beyond, all of it glowing golden and sparkling with magic. The cover of Upon A Summer's Day shows a man in a suit silhouetted over a map of northern Wales in a muted green. He is gesturing, holding his cane in one hand, a cap on his head. Behind him is an astrological chart, with Jupiter and Saturn highlighted in the sign of Taurus.

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Happy Pride! LGBTQIA+ Books

In Albion, Reading
8 months ago
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It’s June again, and that means it’s Pride Month. As you likely know if you’re reading this, most of my books are M/F romances. But more than a few of them have queer or LGBTQIA+ content and characters!

Several include demisexuality (most of my books are also slow burn). A couple have main characters who are asexual and/or aromantic. There’s an F/F romance, a M/M one, and a couple with a MMF polyamorous relationship. And of course the “Enemies to it’s complicated” Best Foot Forward.

I’ve avoided big plot spoilers below. But of course there are some in talking both about people’s identities and orientations, and about which books that’s relevant in. Some additional characters can easily be read as fitting in the following categories. If they do for you, please read them that way!

I’ve a few more ideas coming! This post covers all of that. Plus it ends with a couple of recs of where to find other great queer romances.

Want a handy list of my books that are particularly LGBTQIA+?

Showing books 1-9 of 9

Period: Victorian

Romance: M/M, Gay

Content notes: Click here to reveal

The cover of Four Walls and a Heart has a bright red background with a blue door. Two men are silhouetted against the background, one of slighter build in a Victorian wheelchair, missing his lower left leg, the other standing and talking, one hand at his side. Both are wearing hats, and they are intently focused on each other.
Four Walls and a Heart

Period: Edwardian

Romance: F/F, Late in life romance, Closed door, Lesbian

Content notes: Click here to reveal

Cover of Complementary. Two women in Edwardian dress in silhouette stand talking with each other. One is taller and calmer, the other is shorter, gesturing. They are on a green background, with an artist's palette in the bottom right.
Complementary

Period: 1920s

Romance: M/M/F, Bisexual, Polyamorous

Content notes: Click here to reveal

Cover of Winter's Charms, a seasonal novella collection. Three figures are silhouetted on a blue background with snowflakes, in front of a roaring fireplace decorated with a red and green garland. One man is sitting in a chair, gesturing, a woman stands wearing a translucent shawl, and another man leans his hand on the mantlepiece. Oranges and cinnamon sticks are inset in the top left.
Casting Nasturtiums

Period: 1920s

Romance: M/F, First relationship, Demisexual, Bisexual

Content notes: Click here to reveal

Cover of The Fossil Door. A man and woman in 1920s dress stand silhouetted on a bright burgundy and glowing orange background. An illuminated book is inset in the top left corner.
The Fossil Door

Period: 1920s

Romance: M/F, First relationship, Late in life romance, Closed door, Demisexual

Content notes: Click here to reveal

Cover of Seven Sisters. A thin angular woman and man in 1920s dress silhouetted on a background of lavender and grey. Bright green curling vines are inset in the top right.
Seven Sisters

Period: 1920s

Romance: M/F, Bisexual

Content notes: Click here to reveal

Cover of Goblin Fruit. A man and woman in 1920s dress are silhouetted on a glowing red and golden yellow background. She turns toward him and he holds her hand. A bottle of golden liquid is inset in the top right corner.
Goblin Fruit

Period: 1920s

Romance: M/F, First relationship, Late in life romance, Demisexual

Content notes: Click here to reveal

Cover of On The Bias. A man and woman in 1920s clothing are silhouetted against a pale green, yellow, and purple background. A brightly coloured rooster is inset in the top right.
On The Bias

Period: 1920s

Romance: M/F, First relationship, Bisexual

Content notes: Click here to reveal

Cover of Point By Point. A man and woman in 1920s dress silhouetted on a terra-cotta and deep red background, with a Mesopotamian lion with bright blue wings inset in the top left.
Point By Point

Period: 1930s

Romance: M/M, Late in life romance, Asexual, Bisexual, Polyamorous

Content notes: Click here to reveal

The cover of Best Foot Forward has a deep red background with map markings in a dull purple. Two men in silhouette stand, looking up at a point in the top left. An astrology chart with different symbols picked out takes up the left side of the image, with glowing stars curving up to the title.
Best Foot Forward

Showing books 1-9 of 9

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Or here’s Geoffrey, commenting on the state of his relationships and the people he loves, not always in easy to label ways.

“As I keep saying, if I am lucky, he will to the end of our days. See, I am already experienced in complicated relationships that no one understands. We’ve muddled along, far better than fine, for going on twenty years now.”

Geoffrey Carillon, Best Foot Forward, chapter 41
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What’s after The Land Mysteries

In Land Mysteries
9 months ago
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It’s time for a teaser of coming attractions, following on in the late 1940s after the Land Mysteries series. The second section has some spoilers for Illusion of a Boar. 

Copy of Best Foot Forward lying on a wrinkled silk cloth, with a violin lying across it. The cover has a deep red background with map markings in a dull purple. Two men in silhouette stand, looking up at a point in the top left. An astrology chart with different symbols picked out takes up the left side of the image, with glowing stars curving up to the title.

The Land Mysteries

For a good while – several years – I was convinced I wasn’t going to write anything after the first half of 1929. I wasn’t as interested in writing the 1930s (especially the heart of the global Great Depression), and I also wasn’t sure about getting deeper into writing the Second World War.

And then I wrote Eclipse. Kiya left a marginal comment about wanting to see Geoffrey Carillon and Alexander Landry team up to take on munitions dealers. Every single one of my early readers commented on that idea and also wanted to see it. I gave in to the inevitable. As you do.

It took some more thinking, though. I didn’t want to do just one book, hanging out there at that chronological range. It felt unbalanced. So that meant thinking about what else I could write that was interesting in the Second World War. 

One of the things I realised early on is that as much as I wanted to write more romances, that it’s tricky to write romances actually during a war. (Not impossible, as the series proves, but it probably wouldn’t sustain a whole series sensibly). Getting people in the right place for long enough is tricky! 

But I also wanted to explore the other kinds of relationships people have in their lives. Sometimes that’s family. (Sometimes that’s enemies to “it’s complicated” to family.)  Other times it’s about mentorship. Sometimes it’s about professional commitments or goals that emerge and need doing. Sometimes it’s about chosen siblings and friendship. 

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Idea to Book: The Magic of Four

In Ideas to books, Land Mysteries
9 months ago
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Welcome to our Idea to Book post for The Magic of Four, which just came out at the beginning of May. (This means that from now I’ll add a new Idea to Book post a few weeks after the book comes out. But you won’t have a long string of them.)

The Magic of Four is also the last book in the Land Mysteries series, which explores three themes during the Second World War. Those are a range of different kinds of relationships in our lives. It’s also about the land magic, and how Albion responds to the Second World War. You can see all three of those here, in various ways.

The Magic of Four has everything you might hope for in a school story. There are snippets of classes, finding friends, dealing with student problems. And of course, because it’s Schola, it’s got magical sports (pavo and a dash of bohort), secret societies, and all the implications of a magical school. 

As I’ve noted, I do have plans for three romances. Ursula Fortier (Leo’s older sister) will have hers in 1947, Edmund Carillon (Ros’s older brother) in 1948, and Claudio Warren (in his 40s, and close to both Leo and Avigail) in 1950. Those will let me tie up some loose threads on other ongoing questions about the land magic, living in post-war Albion, and the Council. Learn more about my plans.

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In Character: Thomas Benton

In In Character
10 months ago
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It was hard to choose who would be up second in this series of In Character posts focusing on particular individuals in my books. Thomas Benton is often in the background, but I love his steadiness, his loyalty, and his competence. 

Benton is a point of view character in Ancient Trust (a prequel novella in 1922) and his own romance, On The Bias, in 1926. The best way to find all the books with Benton somewhere in the picture are the books about the Carillon family. (You can find that list at the end of this post, for convenience.)

Copy of On The Bias lying on a bouquet of early summer flowers, with tea and honey nearby, in shades of pinks and pastel greens.
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Idea to Book : Perfect Accord

In Ideas to books, Mysterious Arts
10 months ago
I

With this Idea to Book for Perfect Accord, we’re caught up to the current releases (well, until Friday, when The Magic of Four is out). We’ll have that idea to book post in a couple of weeks. 

Perfect Accord exists because as much as I adore Gabe, his sister is also fascinating. They’re both very much children of Alysoun and Richard – with that particular combination of intelligence, observation, and practicality. But they get there in distinct ways. More about that under Charlotte’s story. 

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Neurodiversity in my books

In In Character, Questions and answers
10 months ago
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It seems a good time for an update on neurodiverse characters in my books (the last one was back in 2021.) April is one of the months celebrating neurodiversity (Autism Acceptance Month), and there was a recent extensive rec post on /r/romancebooks on Reddit for romances with neurodiverse characters.

As I did in 2021, we’re going to go at this by character (alphabetically by first name), since many relevant characters appear in multiple books. My goal with writing has always been to reflect a wide range of experiences of the world like me and many of my friends. And that includes people who don’t always get to be the ones on adventures or getting a happy ever after romance.

There are a number of other characters in my books you might reasonably read as neurodiverse. I’ve mentioned a few at the end of the post that Kiya and I have discussed back and forth, but some of this is in the eye of the beholder. Reader perception is important too!

Just want to explore some books? Here are all the titles that particularly feature a neurodiverse character.

Showing books 1-16 of 16

Period: Edwardian

Romance: F/F, Late in life romance, Closed door, Lesbian

Content notes: Click here to reveal

Cover of Complementary. Two women in Edwardian dress in silhouette stand talking with each other. One is taller and calmer, the other is shorter, gesturing. They are on a green background, with an artist's palette in the bottom right.
Complementary

Period: 1920s

Romance: M/F

Content notes: Click here to reveal

The cover of Bound for Perdition has a man and woman silhouetted in dark brown on a green and brown background, with the woman holding a book while the man gestures. An open blank book and pen are inset in the top right corner.
Bound for Perdition

Period: 1920s

Romance: M/M/F, Bisexual, Polyamorous

Content notes: Click here to reveal

Cover of Winter's Charms, a seasonal novella collection. Three figures are silhouetted on a blue background with snowflakes, in front of a roaring fireplace decorated with a red and green garland. One man is sitting in a chair, gesturing, a woman stands wearing a translucent shawl, and another man leans his hand on the mantlepiece. Oranges and cinnamon sticks are inset in the top left.
Casting Nasturtiums

Period: 1920s

Romance: Not a romance

Content notes: Click here to reveal

Cover of Ancient Trust: A man with a monocle picked out in gold stands by a table stacked with books. An owl is inset in the top left.
Ancient Trust

Period: 1920s

Romance: M/F, First relationship, Demisexual, Bisexual

Content notes: Click here to reveal

Cover of The Fossil Door. A man and woman in 1920s dress stand silhouetted on a bright burgundy and glowing orange background. An illuminated book is inset in the top left corner.
The Fossil Door

Period: 1920s

Romance: M/F, First relationship, Late in life romance, Closed door, Demisexual

Content notes: Click here to reveal

Cover of Seven Sisters. A thin angular woman and man in 1920s dress silhouetted on a background of lavender and grey. Bright green curling vines are inset in the top right.
Seven Sisters

Period: 1920s

Romance: M/F, First relationship

Content notes: Click here to reveal

Cover of Perfect Accord: Two silhouetted figures in 1920s casual clothing. The man is handing the woman a perfume bottle, and she is testing it on the inside of her wrist. The right upper corner has a perfume bottle inset.
Perfect Accord

Period: 1920s

Romance: M/F

Content notes: Click here to reveal

Cover of Eclipse, with a man and woman wearing academic robes in silhouette on a twilight blue and sunset orange background. She is gesturing up toward the sky. A telescope is inset in the top left.
Eclipse

Period: 1920s

Romance: M/F, First relationship, Late in life romance, Demisexual

Content notes: Click here to reveal

Cover of On The Bias. A man and woman in 1920s clothing are silhouetted against a pale green, yellow, and purple background. A brightly coloured rooster is inset in the top right.
On The Bias

Period: 1920s

Romance: M/F, Established relationship, Closed door

Content notes: Click here to reveal

Cover of Winter's Charms, a seasonal novella collection. Three figures are silhouetted on a blue background with snowflakes, in front of a roaring fireplace decorated with a red and green garland. One man is sitting in a chair, gesturing, a woman stands wearing a transluscent shawl, and another man leans his hand on the mantlepiece. Oranges and cinnamon sticks are inset in the top left.
Chasing Legends

Period: 1920s

Romance: M/F, Late in life romance, Closed door

Content notes: Click here to reveal

Cover of Weaving Hope: A man and woman in 1920s informal clothing are silhouetted on a bright pink background shading to purple. She is holding out a length of cloth to him, showing him something, with phlox flowers inset in the upper right corner.
Weaving Hope

Period: Second World War

Romance: M/F, Established relationship

Content notes: Click here to reveal

The cover of Old As The Hills has a man with a cane and a woman silhouetted on a green ground with a map. She holds out her hand, he is putting something into it, forming a doorway between them. An astrological chart behind them shows the symbols for Venus, the Sun, Jupiter, and Saturn highlighted behind a splash of glowing stars.
Old As The Hills

Period: Second World War

Romance: M/F, M/M/F, Established relationship

Content notes: Click here to reveal

The cover of Upon A Summer's Day shows a man in a suit silhouetted over a map of northern Wales in a muted green. He is gesturing, holding his cane in one hand, a cap on his head. Behind him is an astrological chart, with Jupiter and Saturn highlighted in the sign of Taurus.
Upon A Summer's Day

Period: Second World War

Romance: M/F

Content notes: Click here to reveal

Cover of Illusion of a Boar: Four magical specialists are thrown together in the spring of 1944, working on a secret project in the run-up to D-Day. Solving the problem before them is one thing: sorting out their lives is an entirely different one. It’s full of chosen siblings having each other’s backs, forced proximity, and unexpected skills in play. A fantasy romance, this is also a great entry point to the series.
Illusion of a Boar

Period: Second World War

Romance: Not a romance

Content notes: Click here to reveal

The cover of Three Graces has three women in silhouette, two standing and one sitting, her hand resting on a cane. All three are wearing clothes from during the Second World War, against a deep brown cover with a map. An astrology chart to the back left has the Moon and Venus picked out in brighter gold.
Three Graces

Period: Post-war (late 1940s)

Romance: Not a romance

Content notes: Click here to reveal

Cover of The Magic of Four: Four students in silhouette on a blue background of a map off the west coast of Wales. Three stand around a table, the fourth is perched on the near corner, leaning forward and gesturing.
The Magic of Four

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You can also find more of a number of these characters in various of the extras I’ve written and shared.

Upon A Summer's Day displayed on a tablet in a sunset scene looking out across water to fields beyond, all of it glowing golden and sparkling with magic. The cover of Upon A Summer's Day shows a man in a suit silhouetted over a map of northern Wales in a muted green. He is gesturing, holding his cane in one hand, a cap on his head. Behind him is an astrological chart, with Jupiter and Saturn highlighted in the sign of Taurus.
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Explore my blog posts

Explore posts about each book

12 Seconds in 1927 Ancient Trust Authorial Wiki Best Foot Forward Bound for Perdition Carry On Casting Nasturtiums Chasing Legends Complementary Eclipse Elemental Truth Enchanted Net Facets of the Bench Fool's Gold Forged in Combat Four Walls and a Heart Friend? Friend. Goblin Fruit Grown Wise Harmonic Pleasure Illusion of a Boar In The Cards Magician's Hoard Mistress Of Birds Nocturnal Quarry Old As The Hills On The Bias Outcrossing Pastiche Perfect Accord Point By Point Sailor's Jewel Schola Tales Seven Sisters Shoemaker's Wife Silent Circuit The Fossil Door The Hare And The Oak The Magic of Four Three Graces Treats And Extras Upon A Summer's Day Wards of the Roses Weaving Hope Winter's Charms

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